A Poem, an Ornament, and a Choice

A Poem, an Ornament, and a Choice

Even though it is now a few weeks since the official end of the Christmas season (with the exception of those who close out Christmas with the celebration of Candlemas), I still have one ornament up. This particular ornament, called “Snowy Woods,” is always the last one to be packed away, and every year it makes the short journey from the Christmas tree downstairs to the family prayer space, upstairs. It hangs in silence until the end of the month, inviting reflection, contemplation, and most importantly, it asks a single question as we begin the liturgical cycle again: Which path will we choose to follow this year?

The ornament is quite simple and is made of glass, surrounded by a metal frame. A snowy scene is etched on both sides of the glass; two deer walking apart yet aware of each other, in a wintery wood. Every time I look at it, Robert Frost’s poem “The Road Not Taken,” springs to mind.

The Road Not Taken by Robert Frost (1915)

(1) Two roads diverged in a yellow woods

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

(2) To where it bent in the undergrowth;

Then took the other, as just as fair

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,

(3) And both that morning equally lay

In leaves no step had trodden black,

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.

(4) I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I —

I took the one less traveled by,

And that has made all the difference.

This “Snowy Woods” ornament is a snapshot of the meaning the poem is getting at – how our choices affect our lives. In the ornament, the adult deer is looking back, pausing in mid-step. Has he heard a noise that caused fear? Or is he just taking a breather before continuing the way? Is the fawn following or leading? It all has to do with perspective.

 A snowy scene is etched on both sides of the glass; two deer walking apart yet aware of each other, in a wintery wood. 

When the ornament is held with the adult deer facing you, it seems as if the deer is looking back, over his shoulder. The shadowy fawn in the background appears to be watching and waiting for the adult deer to make a decision. But turn the ornament around and the positions are reversed. The adult is no longer looking over his shoulder but is gazing into the shadowy world at the small fawn. His steps and his gaze are very much focused on the small deer. The fawn, on the other hand, is looking out, away towards something outside of our vision. Both positions are telling. The fawn waits for the adult deer to make his decision, to take the path “less traveled by,” even though the path that the deer will take is set out by the fawn. The paradox of Christianity.

The adult deer is a perfect example of a Christian. He is solid. He is not shadowy or vague, but entirely painted in. His hooves are firmly rooted on the ground, even being entirely covered by the heavy snow. He is part of the physical, visible world we all live in. He is concerned with the daily struggles of life, poised to flee or fight, while wrestling with the heavy snowfall, the daily crosses of his world. While he is engaged, he is being watched by a small, shadowy figure, a guiding spirit who assists and guides his steps. This spirit might be an angel or even a figure of Jesus himself, always just out of sight, but somehow his presence is felt. The fawn, not the adult, knows the way through the snowy woods. It’s eyes are on something else, something higher and distant, away out of time and space. Unlike the solid white adult deer, the fawn is almost transparent, pointing to a spiritual, unseen aspect.

The two deer in this ornament are in a profound relationship, despite the fact that they are on two different levels. They remind us that no matter what path is chosen, the traveler will not remain in the crossroads. A choice, consciously or not, is always made. St. Catherine of Siena talks about this in her book Dialogue. She writes that “as long as you are pilgrims in this life you are capable of growing and should grow. Those who are not growing are by that very fact going backward.”

Each year, this simple little ornament strikes a chord with me. After all the decorations are done and we are looking forward, preparing to set out again, it beckons and asks, “What path will you follow this year? And will you walk it with Me?”

Photos courtesy of Sarah Pedrozo.

*This ornament was designed by Hallmark artist Robert Hurlburt and is part of the Elegant Ornaments Collection, a group of ornaments often based on archived Hallmark greeting cards.

 

Three Things I’ve Learned from my Chickens

Three Things I’ve Learned from my Chickens

As writers, we know that one aspect of writing well is writing authentically. By that I mean we have to follow the rules of the reality we are writing about, whatever they may be. The rules governing Middle Earth are a little different than those in Narnia, for example.  If we are writing about our own world, here on planet Earth, 2023, one practice that can help us write authentically is the habit of being observant of the world around us, so that we can convey those small details in our stories. In fact, being observant might even lead to a new understanding.

What does any of this have to do with chickens, you might ask?  Doesn’t the title of this article signify something having to do with those small animals? Besides, I’m not saying anything new in that opening paragraph.

Let me begin, then, by saying that I never intended to become “the chicken lady” of my neighborhood. When my husband called from work one day, saying that a colleague had no further need of 4 unhatched baby chicks and did I think we could take them in for a while, I said “Sure” simply because I like animals and couldn’t stand the thought of those little chickies being – literally – thrown away. That was about the extent of my thinking.

Fast forward a year and a half later, and we now have 5 stout ladies who take up a third of our backyard. And they are delightful. I have become thoroughly attached to them. Through observing them closely these past several months, I’ve also learned a few things. Here are 3 of them.

  1. Habits can produce happiness.

My hens follow the same routine every day. They wake up with the sunrise, then run out to munch on the food I give them. It is always the same food, but they are nevertheless excited to see it every morning. They spend the rest of the day alternating between scratching for bugs, chatting with each other and resting.  At 7pm each evening, they gather by their gate and call for their nightly visit. I bring them some rice or a little bread and we spend time together. After a few more sips of water, and a little extra scratching, they put themselves to bed at dusk.  They follow this same routine every day. They witness to the importance of good daily habits, of doing a little bit consistently over time, every day. I often wonder what I could get done if I was such a creature of routine.

2. Don’t be afraid to try.

Even though my hens are quite content in their pen, that doesn’t mean they don’t look up and notice the green grass and fresh flowers blooming in other parts of the yard. They are always up for new ways to escape their yard to get to greener pastures. (In fact, I am convinced that whoever wrote the script for the movie Chicken Run really did have chickens.) Our Rhode Island Red, Cocoa, makes a point of pushing on the garden gate at least once an hour, just in case it has been left open. Our silver Welbar, Sandy, learned exactly where to stand so that she could fly up and just reach the tip of the fence, push off with her foot, and propel herself into the grass. They also know our habits, and often try to follow the dogs in and out.  I think they hope we won’t notice an extra pair of legs.  Even though they appreciate their home, they’re never afraid to push on the gate one more time or keep an eye out for another weak spot in the fence. They remind me not to get too complacent, but to keep looking up and trying.

3. Appreciate your community.

My little flock did not choose each other, but they’ve formed themselves into a community nevertheless. Although they are all different types of hens, they get along. Yes, there is certainly a pecking order (Sandy is at the top) but there is still room for everyone, despite their various temperaments. For example, Pebbles, our black Australorp, tends to get broody and take over the nesting box, while Pepper, a light Brahma and the smallest of the five chickens, likes to make up for her small size by being feisty and pecking everyone, including the dogs. Occasionally there are some ruffled feathers but most of the time there are contented, chatty clucks and check-ins, and at the end of the day they all go into the hen house and sleep peacefully together.  If I’ve had a hard day with a difficult person, I really notice their ability to not hold a grudge and to let bygones be bygones. It reminds me that I might not always want to spend a lot of time around a certain person or persons, but I don’t have to take everything personally and I don’t have to carry resentment with me every day. (And I’m always somewhat flabbergasted that the hens consider our two pitties part of their community!)

These are a few of the conclusions I’ve come to over the last few months, in the mornings with my coffee watching them greet the new day, and in the evenings as the sun is setting.  As I mentioned above, close observation of the world around us helps us to be better writers, and maybe even better people. These five little ladies are speaking to me all the time. Is there something that speaks to you in your life?  What do you closely observe? And is it changing you?

©Copyright 2023 by Sarah Pedrozo

Featured image from iStock-chicken (3)

Bottom two photos by Sarah Pedrozo ©Copyright 2023 by Sarah Pedrozo