From the President’s Desk – Success, Faithfulness and Farewell

At the 2015 Catholic Writers Retreat in Michigan!

At the 2015 Catholic Writers Retreat in Michigan!

Happy Thanksgiving! I hope everyone had a wonderful feast yesterday.

Catholic Writers Retreat: I’d like to thank all the attendees, presenters and organizers of the Catholic Writers Retreat. We all had a wonderful time writing, praying and socializing! Special thanks to Margaret Realy for organizing this wonderful event.

Blessed Mother Teresa once said, “We are not called to be successful. We are called to be faithful.”

In about four days, I will no longer be president of the Catholic Writers Guild so this will be my last “From the President’s Desk” post.

When I first discovered the Catholic Writers Online group, and later, the Catholic Writers Guild, I truly felt like I had come home. I was so happy to be a part of a group of faithful Catholic writers.  I hadn’t really thought much about “success.” I just wanted to write. And I just wanted to be faithful to my Catholic faith. At the time, there were only about 40 members of the Guild. In the eight years since I’ve been a active member, our membership has grown to over 500 members.

When I was asked to run as vice president in 2010, I readily agreed. Later, when I was asked to run for president, after a short discernment process, I readily agreed. Of course, I had no idea what was in store for me. Being president of this non-profit, mostly volunteer organization has had its share of challenges, but I’ve learned so much and I’ve gained many lifelong friendships.

I owe a tremendous gratitude to everyone in the Guild. Thanks especially to Ann Margaret Lewis (founding member and past president), who was always available to listen when I needed to chat, Karina Fabian (original president of the Guild), and the current members of the board: Dave Shaw (secretary), Karl Erickson (treasurer), Nancy Ward (committee coordinator), and Arthur Powers (VP and founding member).

Although I joined the Guild to be with like-minded faithful Catholic writers, I was surprised to find that much of what I’ve learned from Guild members over the past eight years has contributed to whatever “success” I’ve been fortunate to have. In the early years, I attended online conferences and chats. Later, I attended and helped to organize the live conferences. The success I’ve had as a writer has been the direct result of my involvement with the Guild. My books have been collectively downloaded over 625,000 times on Kindle. All of my novels have spent time on various Amazon Kindle bestsellers’ lists (In 2012, my novel, Stealing Jenny, was either #1 or #2 in several categories for 40 weeks of that year). I’ve been on EWTN’s Bookmark three different times and other TV and radio shows. And I’m actually making a modest supplemental income from my novels.

That success aside, my time as the president of the Guild, has been spent being faithful not only to the magisterium of the Catholic Church, but also to the values of our wonderful organization.

I won’t be leaving the Guild, however! I intend to remain on two very busy committees: the Seal of Approval and the Live Conference committees. I have a new job as the marketing director for a wonderful Catholic apostolate that promotes the regular practice of fasting. I write for the Live the Fast blog and newsletter; I write press releases and, best of all, from my regular practice of fasting, I’ve grown stronger in my faith (and even lost 10 pounds!).

Fellow CWG member and New Jersey native, Joe Wetterling, will be your new president. I’ve worked with Joe on three different committees. Besides being witty and knowledgeable about a variety of topics, Joe is level-headed and dependable. A little bit about Joe, in case you don’t know him:

Joe Wetterling is a professional educator and writer. During the day, his work includes performance improvement, technical training, and editing for the Temple University Health System. At home, Joe teaches the faith at his blog Ho Kai Paulos, comments on religious themes in fantasy and sci-fi at Baptized Imagination, and makes everything relate to Latin while helping homeschool his son. He’s a member of the Militia Immaculata. At the Catholic Writers Guild, Joe participates in blog editing, the Seal of Approval review process, and the CALA. Learn more about him at JoeWetterling.com.

Please take a moment over the next several weeks to welcome Joe to this challenging — yet fulfilling — position.

It has been my privilege and honor to serve as your president for three years and to serve on the Catholic Writers Guild board for five years. I look forward to continuing to be a part of this wonderful organization.

In Jesus and Mary,

 

Ellen Gable Hrkach

From the President’s Desk: A Shared Faith

Image from Fotolia

Image from Fotolia

“You say grace before meals. All right. But I say grace before the play and the opera, and grace before the concert and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing; And grace before I dip the pen in the ink.”
G.K. Chesterton

When I was a new writer many years ago, I sought out a local secular writers group. While I learned a few writing skills, I always felt like an outsider, like I wasn’t quite “one of the crowd.” It didn’t help when I stood up and introduced myself as the mother of five children. There were gasps, as if I said I had 20 children. It also didn’t help when I mentioned I was writing a religious fiction novel.

After only about six months, I left that group and discovered the Catholic Writers Online Yahoo group, which eventually transitioned into the Catholic Writers Guild. There, during chats or in online discussions, I felt like “one of the crowd.” Even though it would be a few years before we would meet, I felt like I had “come home.”

The beauty of this group is that we are all each other’s cheerleaders. We help each other with writing skills, yes, but we also genuinely care about each other because of our shared faith. Since 2010, when I joined the CWG Board as vice president, our membership has grown from just under 200 to 500 members.

As my time as president winds down, I truly look forward to watching another member take the helm and lead the Guild for the next few years.

World Meeting of Families
If you are attending the World Meeting of Families this week in Philadelphia, the Guild is here with a booth (Booth #747). Please stop by and say hello!

Catholic Writers RetreatCatholicWritersRetreatLogo2011iiii Have you thought about attending the upcoming Catholic Writers Retreat? If you haven’t, please consider doing so. I’m looking forward to a time of spiritual renewal and an opportunity to write. Here’s the information:
Catholic Writers Retreat: Your Word is my Delight. October 25-29, 2015. St. Francis Retreat Center, 703 E. Main Street, DeWitt, Michigan 48820. Register online at this link, click on ‘Other Offerings,’ or call 866-669-8321. $490 for five days.

If you have any other comments, concerns or questions, please feel free to email me: president(at)catholicwritersguild(dot)(com)

In Jesus and Mary,

Ellen

From the President’s Desk – Inspiration and the Catholic Writer

Image by Ellen Gable Hrkach 2015

Image by Ellen Gable Hrkach 2015

Where do you find inspiration? As a writer, I find inspiration in places you might expect and those you might not. Not surprisingly, I find inspiration in Scripture and in the lives of the saints. Reading the Bible and the lives of the saints often inspires me to include a chapter or whole storyline about that citation or saint in my novels.

I also find inspiration in simple things. Years ago, I watched a tiny hummingbird hover near our kitchen window, his little wings flapping so quickly that I could barely see them. I was mesmerized by this little creature’s simple beauty, and it inspired me to write an entire storyline involving a hummingbird in my novel, A Subtle Grace.

Last week, I was frantically trying to finish several writing deadlines, focusing on the monitor in front of me. My office happens to be in a corner of our bedroom, near the window to our backyard. It was about 7:00 a.m. and my boys had just gotten on the school bus. We live in the country, thick forests on both sides of our house and a large field behind our yard. Suddenly, out of the corner of my eye, I could see movement beyond the window. Looking up, I was surprised to see a beautiful young deer grazing on the grass just beyond the window. I calmly stood up and went to get my iPad to take a photo. I took a few photos, but I watched her and marveled at her beauty. All of a sudden, she stopped munching and looked up in my direction. I stared at her as she stared at me. For the next half-hour, I watched her graze and move about our yard with no fear. I had a bazillion deadlines to meet, but I decided that it was more important to marvel in the beauty of God’s creation than to sit at a computer and work on my deadlines. And, you guessed it, it has sparked inspiration for a scene in one of my works in progress.

Where do you find inspiration? Please feel free to comment below.

Upcoming Events:
Catholic Writers Conference Live July 22-24, 2015, Somerset, New Jersey, to be held in conjunction with the Catholic Marketing Network Trade Show. Great speakers, wonderful fellowship and Mass, adoration and confession every day. Register here at this link: Catholic Writers Conference Registration 2015

CatholicWritersRetreatLogo2011iiiiThe Catholic Writers Retreat is taking place in late October. Your Word is My Delight takes place October 25-29, 2015 at the St. Francis Retreat Center, 703 E. Main Street, DeWitt, Michigan 48820. Register online here at this link or call 866-669-8321. $490 for five days.

Image copyright Ellen Hrkach

Image copyright Ellen Hrkach

One last thing: today is my husband, James, and my wedding anniversary, 33 years married (we’ve known each other for 37 years). When I came to Canada in 1978, I never expected to meet the man I would end up marrying. I never thought I would be living in Canada and enjoying these seven-month long winters! Through 33 years, James has held my hand and cried with joy during the births of our five sons, grieved with me during the loss of seven babies through miscarriage, laughed with me in good times, fought with me in bad, and has been a faithful witness of God’s love to me. Happy Anniversary, James!

As always, if you have any questions, comments or concerns, please don’t hesitate to contact me: president (at) catholicwritersguild (dot) (com)

In Jesus and Mary,

Ellen Gable Hrkach
President, Catholic Writers Guild

From the President’s Desk – Mediocrity

Copyright Ellen Gable Hrkach

Copyright Ellen Gable Hrkach

“Do not be satisfied with mediocrity.” St. John Paul II

Any person who settles for mediocrity in terms of his or her spiritual life is setting himself up for failure.  Reaching high for the virtues and striving for perfection isn’t always easy, but it’s always worthwhile.  None of us will ever be perfect, but we must try.  Most of us will fall short frequently, but as Catholics, we’re blessed to have the Sacrament of Reconciliation to give us the grace to be better people.

Authors who settle for mediocrity with regard to their writing are also setting themselves up for failure.  Articles and books that have not been professionally edited will frustrate readers. These authors can become known for their mediocre writing, and readers may not return for more.  If you’re posting to a blog, ask a writer friend to be your second pair of eyes. If you’re traditionally publishing a book, your assigned editor will help make your book as professional as possible. If you are self-publishing, please hire experienced and professional editors to edit your book. Most importantly, humbly consider any and all suggestions from your editor.

Don’t settle for mediocrity in either your spiritual life or your writing life. Strive to be the best you can be!

Special thanks to CWG member Allison Gingras for featuring my third novel, Stealing Jenny, during her radio show, A Seeking Heart, this week!  Check out a few of the shows here:
http://www.realliferadio.com/a-seeking-heart-with-allison-gingras.html

And, today, I’ll be live on A Seeking Heart from 10:00 until 10:45.  Listen live here at this link: http://www.realliferadio.com/a-seeking-heart-with-allison-gingras.html

If you’d like to call while we’re on the air, here’s the number: Call 1-855-949-1380

CWG News:
We  have an upcoming live conference in July in Somerset, NJ (July 22-24) and registration is now open.

The Catholic Writers Retreat is taking place in late October.  Your Word is my Delight takes place October 25-29, 2015 at the St. Francis Retreat Center, 703 E. Main Street, DeWitt, Michigan 48820. Register on line at here at this link, Click on Other Offerings, or call 866-669-8321. $490 for five days.

As always, if you have any questions, comments or concerns, please do not hesitate to email me: president (at) catholicwritersguild (dot) (com)

In Jesus and Mary,

Ellen Gable Hrkach

From the President’s Desk – Failure Leads to Success

iStock_000017739645XSmall“Has it ever occurred to you that a life without failure is a dead life? Because you learn by failing. If you don’t try things, you’ll never learn anything. You’ll never accomplish anything.” Catherine Doherty, Foundress of Madonna House

Thomas Edison tried and failed on hundreds of attempts to create an electric light. Without failing, he would never have succeeded.

When it comes to writing, failure is necessary to succeed. I took writing courses in college, and I was a court reporter for many years, but I had no experience writing fiction, aside from the creative writing exercises in college. It should come as no surprise that when I first started writing fiction 14 years ago, I had no idea what I was doing. I just sat down and wrote. I remember thinking, This isn’t so hard. When I asked my husband to read part of my work in progress, he said, rather bluntly, “You’re not going to let anyone read this, are you?” I was crushed and felt like a failure but, in retrospect, my husband was absolutely right. That first attempt was terrible. So I trashed that manuscript, bought a few books on writing fiction, outlined the story, wrote character studies, then waited until summer so I could have uninterrupted writing time (I was homeschooling my five boys at the time). I went to adoration on the days I was writing and took my time drafting the novel.

Four months later, I shared it with my spiritual director and a few close friends. They gave me some helpful feedback. Later, I hired an editor (thinking she was a copy-editor, but she was actually a developmental editor). She eventually offered me a nine-page critique: half a paragraph on what was good with the manuscript and eight and three-quarters pages on what was in desperate need of improvement. There was an edge to her tone and by the time I reached the end of the nine-page critique, I was in tears. I was convinced that I was a failure at writing novels.

My husband, seeing how upset I was, suggested that I put the critique away for a few days. Then he recommended that when the initial shock wore off, I should go back and try to humbly discern if there was any merit in the editor’s suggested changes. When I eventually stepped back and considered all the changes, I ended up agreeing with most of her suggested edits. It took another year, but when I finished implementing the changes and sent it back to the same editor, she praised the manuscript and my edits and encouraged me to keep writing.

I learned a lot from that first experience with an editor. I learned that I need to be humble in accepting criticism. I learned that I need to have a thick skin when someone criticizes my writing. I learned that I will not agree with every piece of criticism. I learned that the editor is not paid to make me feel good, she is being paid to make my manuscript better. Although I initially felt like a failure, these are things I never would have learned without “failing” in the first several attempts at writing fiction.

A few months after that first book was published, the acquisitions editor of a Catholic publishing company read it. I received an email from her asking if I’d like to have a critique of the book. “Sure,” I said, confident that she wouldn’t have much to say, given all the feedback I had from a professional editor and friends. Instead, she shared with me that the book suffered greatly from “telling and not showing.” She advised me to write future manuscripts like they were a play and describe everything that was happening rather than telling the reader. Rather than “He was sad,” say, “His shoulders slumped and his eyes stared at the ground.” She gave me a few other pointers, then encouraged me to keep writing Catholic fiction.

Again, I felt like a failure. However, after humbling stepping back and reading the critique from this editor, I realized that she was right and I began changing the way I wrote.

My next book went on to win the Gold medal in the 2010 IPPY Awards for Religious Fiction, the first Catholic novel to win this award. All of my novels have been on bestsellers lists (Stealing Jenny, my third novel, was #1 in its category for 180 days of 2012). My newest book, A Subtle Grace, has been in the top 30 of Christian Historical Fiction and Christian Historical Romance for over a month and was in the top ten of six categories for two weeks. As of today’s date, the combined downloads of all my novels have just topped 585,000. Many look at those numbers and see “success.” However, without the previous “failures,” I would never have seen this “success.” And I am now also a busy fiction developmental editor and book coach.

For those of you who are still working on novels or non-fiction books, don’t give up! Don’t be afraid to “fail.” Failure can certainly lead to success.

One way to increase your chances of success is to become more active in the Guild (there are many resources within CWG), get to know your fellow CWG members and/or volunteer with the Guild. We could use volunteers for two committees: The Catholic Arts and Letter (CALA) Committee and the Membership Committee are in need of volunteers. If you’re interested, please contact me: president(at)catholicwritersguild(dot)(com).

We have new chairpersons for the CWG Blog: Kathryn Cunningham and Dennis McGeehan. Thank you, Kathryn and Dennis, for stepping forward! Special thanks to Jen Fitz, who was blog chairperson for many years!

Catholic Writers Conference Live: Registration is open for the Catholic Writers Conference Live, to be held July 22-24 in Somerset, NJ. Please consider joining us. There’s much to be learned from our varied speakers. And you will probably enjoy networking and fellowship with other Catholic writers, along with Daily Mass, Rosary and Confession.

Catholic Writers Retreat! Mark your calendars! CWG writing retreat coming soon! Prayer, reflection, writing, critique. What more could a Catholic want in a writing retreat? Oct 25-29 in DeWitt, MI.

As always, if you have any comments, questions or concerns, feel free to email me: president (at) catholicwritersguild (dot) (com).

In Jesus and Mary,

Ellen Gable Hrkach
President, Catholic Writers Guild

(Image purchased from iStock)

Transitions – How to get your character from here to there

MC900434910[1]One area of writing craft that doesn’t get a lot of attention is that of writing transitions. You’ve gotten to the end of a scene, or maybe just to the middle, and the characters need to move to a different location, or perhaps some time must pass. How do we accomplish that in a way that moves the story forward and also keeps the reader’s interest?

I admit to hitting spots like this and getting stumped. I know what is coming up, but can’t quite figure out how to make it happen on the page. Sometimes I just skip the transition, leave a space or type “needs something” in red, and go on. When I come back, the answer is often clear and I can add, then revise and move on.

Deconstructing transitions can help. Ask questions of yourself or the characters. What needs to happen next? What is a logical way of getting there? How can I as author make the “getting there” part compelling? Can I reveal characterization? Can I set a tone? Can I use an active verb? What word choices will help me create the imaginary situation that I hope my reader pictures and feels? How can I do this in an unobtrusive way?

A simple solution for time shifts is to double space between scenes. In more complex time situations, a timing cue may be necessary, i.e., a day, date, or time as a header at the beginning of a chapter. As in any literary technique, get the most bang for your buck with each word.

For instance, in Hijacked, my first novel, the female protagonist is a pilot. I purposely used weather cues that a pilot would notice to alert the reader to the time shifts. The setting became a vehicle for those transitions: A thunderstorm to indicate that summer had arrived, the brilliant color of fall foliage as seen from the air to denote autumn, the sight of malls (again, from the air) engulfed in oceans of cars just before Christmas. I used those opportunities to deepen the heroine’s character, i.e., how she felt about what was going on in her life at each of those seasons, and to move the story forward, i.e., her musings about past events or how to proceed with relationships. Is there a unique aspect of one of your characters or your setting that might serve to assist with transitions?

In more complex time situations, a timing cue may be necessary, i.e., a day, date, or time as a header at the beginning of a chapter. I used this technique in Unholy Bonds, the sequel to Hijacked. Create a timeline outside of the book as a reference; it will help keep things straight. This idea is especially helpful in creating tension in a novel of suspense. Conversely, it can indicate the passage of long periods of time and slow the pace of a more introspective novel.

Within a chapter or scene, your goal is to move the characters around without creating a sense of plastic figures being manipulated by the author. Describe their movements in terms of their personalities and within the context of the emotion felt or displayed at that moment. Give them reasons, valid ones, for going where they need to go. Use transition words (then, next, after, etc.) if you need to, but keep them to a minimum or the story begins to read like an instruction manual.

Avoid the “grocery list” approach. Too many details getting the character from one spot to another risks losing the reader’s interest. Keep only the details that move the story forward or reveal something about the character. If they need to get out of the kitchen, into the car and down the street before the next interesting thing happens, try to get that done in a sentence or two—not six.

For instance: He dropped the milk carton on the counter and sprinted to the door, grabbing a coat on the way to his vintage Harley. A roar of noise and black exhaust carried him away from safety and into the unknown of danger. Where is Patty?

Okay, I know that’s sort of hokey, but I established a whole lot of stuff in a few sentences and got him out of the house and down the street. Our hero drinks milk and rides a vintage Harley (potentially contradictory and character revealing information.) His bike belches black smoke, so it might need some maintenance. He’s leaving a place of safety and heading into danger, which makes him brave or impetuous – or both. And as he’s moved from one place to another, he’s (hopefully) kept our interest and created a sense of urgency, both on the page and within the reader, who now needs to keep reading.

What we avoided was: He picked the carton of milk up and sniffed it, but then set it down. It wasn’t sour, but a thought crossed his mind. He hadn’t heard from Patty yet, and she had promised to call him when she arrived at work. Where was she, anyway? Concerned, he walked quickly down the hall where he picked up his keys and his coat, then checked his pocket for his wallet. Satisfied that he had everything he needed, he stepped out of the house, closed the door and locked it, then took the three steps from the porch to the sidewalk. His motorcycle was parked on the driveway, and he walked over to it, then picked up his helmet and put it on. (Are you bored yet? I am! And it’s so painful I’m not going to write any more! But I bet you get the idea!)

Many times, the transition doesn’t need to be exact.  Sometimes you can simply start the next sentence or scene with a thought in the character’s POV that indicates a change has taken place, then move on from there. Flashbacks followed by “leap forwards” can work, too, but use caution. Overuse or poor execution of flashbacks cause more problems than they solve.

This is a good time to get out your favorite novel and read a bit of it, paying close attention to how the author treated transitions. How do you handle transitions? Do you have suggestions beyond what I’ve addressed here? Please share! 

10 Steps to Indie Publishing

Printing pressThese are the best of times for authors—and possibly the worst of times! The changes in the publishing industry over the past five years are nearly as significant as the advent of the internet. In fact, the two developments are intertwined and build on each other.

We all know traditional publishing has undergone tremendous upheaval. It’s still difficult to find an agent. Same goes for a publishing home, doubly so when entire houses fold or get bought out by another entity. Authors are taking to the waters of Amazon and related ponds by the droves, flooding the markets with their manuscripts.

What are some advantages to independently publishing your work? Total control is the one most often mentioned. You work directly with a cover artist to produce the best one for your story. You can replace it if you decide it’s not working. You can set your pricing, then change it at a moment’s notice if needed.

Total control is also the disadvantage to indie publishing. Marketing is incumbent upon you, no one else. Make no mistake: this is a big responsibility.

Given this environment, if you are interested but have yet to dip a toe into the pool, how do you go about what has become known as indie publishing?

1. Know your goals. Do you want to get something in print form for family and friends? Skip down to items 4 through 7 and ignore the rest. Do you want to reach readers who don’t personally know you? Start here and slog through every step listed.

2. Hone your craft. Write the best book possible, run it by critique groups and/or beta readers and/or enter it in contests to get unbiased feedback. Then hire an editor and revise. Yes, this will cost money. Yes, you must do it. Do not fall prey to the delusion that your book is the best one on the planet or the only one not in need of professional editing. It’s not. You can always make it better. Believe me, if your critique partners/beta readers/editors say it needs work, it does. Fix it. If you don’t, the whole world will be privy to the lashing you will get from Amazon and Goodreads reviewers. So make it the best possible book before you put it out there. At least no one will be able to say “poorly written/edited!”

3. Buy books on the process. Let’s Get Digital and Let’s Get Visible  by David Gaughran are great resources, they are cheap, and they are fairly up to date. He is a proponent of the Amazon-only model. If you are comfortable with reading advice by savvy romance writers, The Naked Truth About Self-Publishing by The Indie Voice is another great resource.  This group is a proponent of getting your work out to every venue possible; why limit yourself to one vendor? These three books come to less than $15 and lay an excellent foundation for understanding the nuts and bolts of self-publishing.

4. Explore publishing options. Amazon’s self-pub arms are KDP for ebooks, Create Space  or print on demand, and ACX for audio books. Ingram Spark is another option. Barnes & Noble, Apple, and Kobo have platforms for uploading books; I have not gotten that far and do not have information to share. I’m sure others can contribute to the conversation here!

5. Utilize the tutorials on each publishing site. They provide a wealth of information. My experience with customer service on each site has been exceptional. If your budget allows for additional services, pretty much anything you need is available .

6. Remember that nothing is set in stone. If you make a mistake, all you usually have to do is replace the file. For ebooks on KDP, the old one will still be available for sale until the new one goes live. With Create Space, the title will not be available during the changeover, typically twelve hours or so. That said, some mistakes require taking the book down and reissuing it. Call customer service if it looks like something you can’t address on your own.

7. Mistakes: You will make them. The earth will not stop rotating. You will fix them. A week later, you will probably have forgotten the details. Moral: Be nice to yourself when you demonstrate your humanity. Even better, laugh!

8. Connect with your writing community. Ask for help, share insights, cheer each other on, and promote each other’s work. There are enough readers out there for all books. Amazon gave a presentation at a conference I attended recently. Their statistics show a dramatic rise in books sold since the ebook became widely available. More titles, more sales. Readers are voracious. There is enough success to go around; it’s not a finite quantity.

9. Adapt. There is no right way or wrong way to do this. The only given is the quality of the product you put out. Beyond that, much of the process for individual books is trial and error. Try something and see if it works. If not, try something else. Be persistent. Realize that marketing is part of the authorial journey these days, whether you are traditionally or independently published.

10. Remember this is a business for the long haul. It may take years to build a following. Meanwhile, keep improving your craft and writing new content. That is the one action you can take to improve visibility of your books, and visibility translates to sales. Continue to interact with readers, either online or in person, so they remember you and look for your books as you write them.

Questions? Discussion? How about suggestions of books or other resources you’ve found? Please share!

From the President’s Desk: NFP Week and Catholic Writers Conference Live

James and I teaching an online (virtual) NFP class

James and I teaching an online (virtual) NFP class

In case you didn’t know, we are coming to the end of NFP Awareness Week.

Before I became President of the Guild…even before I started my writing career, I taught Natural Family Planning (NFP). This year, my husband and I will mark our 30th year teaching NFP. My passion for promoting Natural Family Planning and Saint John Paul II’s Theology of the Body is what prompted me to start writing fiction. Since this is NFP Awareness Week, I’d like to first share a few of my NFP-themed blog posts from this week:

Theology of the Body in a Nutshell

The Spiritual Works of Mercy – TOB Style

Theology of the Body Fiction

When I self-published my first book nine years ago, I joined a local (secular) writers’ group. At the first meeting, they asked me to introduce myself and when I said I had five children, I heard a few gasps and perhaps a scoff. Someone said, “With five kids, where did you find time to write a novel?” I remember thinking, “Five kids isn’t all that many.” It wasn’t that they weren’t welcoming; they were nice enough, but I had little in common with the members. I attended a few more meetings, but eventually decided to stop going.

Soon after, I found a Yahoo group called “Catholic Writers Online.” I looked forward to the posts of fellow members, but rarely posted anything. A few years later, some of the Catholic Writers Online members started a group called the Catholic Writers Guild. Knowing they were “faithful to the magisterium,” and knowing I wanted more interaction than daily emails, I joined the Guild in early 2008 and I really felt like I had “come home.” These were writers with whom I shared a common faith and common goals. There were online conferences and in 2009, the first live conference.

The (Sixth) Catholic Writers Conference Live is just around the corner. I’m looking forward to meeting, networking and just chatting with other Catholic writers next week in Schaumburg. If you’re attending, please come and introduce yourself to me (I’ll be the short one giving orders). If you’re not attending, please pray for a successful, safe conference.

With Karina during our book signing. 2009 Trade Show/Conference

With Karina during our book signing. 2009 Trade Show/Conference

As always, please let me know if you have any questions, comments and/or concerns: president(at)catholicwritersguild.com

Ellen Gable Hrkach
President, CWG

Cheerleading! Mutually Beneficial Author Support

Cheerleaders Doing Routine --- Image by © Royalty-Free/CorbisThere are a lot of us out there. Authors. With great books to share. Too often, though, we feel alone in our endeavors, trying to get readers to notice us in the roiling sea of other great books. This is a great time to be a writer! It’s more possible than it has ever been to publish a book. But that means that all sorts of other people are doing the same.

Whether you are independently publishing your work, under contract with a traditional publisher, or working with a small, online press, the business of marketing one’s work falls more and more upon the shoulders of the author. “But I just want to write,” you say. Hey, I’m with you. Me, too. But that’s  not our reality anymore.

How do we get “out there” where someone might notice?

First, write a quality book, no matter the genre. If you’re publishing independently, surround yourself with an expert team of editors, formatters, and cover artists. First impressions matter. Don’t give the reader a reason to skip past your book; give them a reason to stop and look at it, really look at it. Hopefully, they’ll be intrigued enough to click the ‘buy’ button.

Then, the meat of this post: Network. Before you ask people to spread the news about your book, make sure you’ve nurtured relationships with them, and have crowed about their successes. You can do this well before you are ready to publish your own work; in fact, that’s the best time to create these relationships. Have you gone to Catholic Writers Conference Live? Or participated in the online CWG conference? How about the Writing Retreat? Or any other writing focused activities? What about the CWG Facebook page? Have you interacted with other writers in any of those venues? I hope so, because that’s crucial for the next step, which is:

Celebrate with them! Post their new releases or awards on your Facebook page. Use your blog or Twitter to let your followers know there’s something available that’s worth their time. If you’re on Twitter, find and follow some entities that reflect your interests; they may reTweet for you and expand your reach.

Buy and read your friends’ books, and then review them on Amazon and Goodreads. *Caveat: Always say something nice, or don’t post a review. This does not mean you can’t be honest, but be honest in a kind manner. Personally, I never give a review with less than four stars, and even if I didn’t like everything about the book, I focus on what I loved about the book—or, if it’s in a genre that’s not  my favorite, focus on what readers of that specific type of book will enjoy about this particular one.

Here’s an example of how this might work. A few weeks ago, Erin McCole Cupp contacted me because I’d done a cover reveal on my upcoming release, Hijacked, on CWG’s Facebook page. Would I like to trade read and reviews with her? She’d recently published Don’t You Forget About Me, a cozy mystery. I said yes, and posted reviews on Amazon and Goodreads. She upped the ante and asked me to be an interviewee on her blog the week my book comes out. I said yes (!), and then tagged  her on a My Writing Process blog tour/relay. With any luck, some of my readers will be interested in her work and some of hers readers, in mine. That’s just with two authors! Imagine what can happen when more get in on the fun!

(And did you notice what I just did? I linked Erin’s website and the Amazon link to buy her book to this post. I purposely do this for everyone I mention on both my CWG and personal blogs. What goes around comes around…)

Join writing organizations and establish relationships with authors you respect. Be a cheerleader for them, and hope they’ll return the favor when it’s your turn. Yes, it’s time consuming, but it is well worth the effort—not just because they’re going to help you sell books, but because they are wonderful people and their friendships enrich your life.

Are you feeling a little less alone now? I hope so! If you’ve had success in the arena of networking, please share your story! What are the elements that contribute to that success?

 

The End: Sweet Words for an Author, Sweet Experience for a Reader

The EndThe end.

Two of the most satisfying words a writer can tap onto a keyboard.

We’ve all dreamed of typing those six letters, and many of us have been fortunate enough to have achieved that particular success.

In my past few posts, we’ve discussed beginnings and middles. Let’s talk about endings today.

How do you craft an ending that works? You know what I mean: the ending that satisfies in a way that nothing else can. The good guys win, the couple (finally!) gets together for their happy ever after, the world is saved from certain disaster.

Yet I suspect many of us know when an ending doesn’t work. Have you ever read a book where the story had you in its grip—and then it fell flat and limped to the last page? I have. It feels like the author suddenly lost interest. Perhaps they were on a deadline and just typed a bunch of words to fulfill a contract. Or maybe they really didn’t know how the book ended, so they just threw some words on the page and hoped they would do. And that the reader wouldn’t notice.

Alternatively, I’ve read books where The End happened ten or fifteen pages before the printed pages did. It’s disconcerting to be engaged in the story, come across that emotionally satisfying ahhh that is the indisputable end…but then things keep happening and the characters keep talking, and as a reader, you’ve lost interest.

To avoid a bad ending, go back to the beginning. Is your theme still clear? Will the ending make that theme shine (even though it’s likely not stated outright)? What is the question posed at the beginning of the book? There may be an overall question, along with individual questions for each of the main characters. Are those questions answered in the last chapter?  What about the middle? Does all that suspense and tension you’ve nurtured through the book come to a climax that is addressed in the final scene(s)? If you’ve been paying attention to these elements of craft, you’ve set yourself up for a good, satisfying end.

Pacing is another issue. Keep the tension strong; don’t dilute it with throwaway words or scenes. When the end is reached, end the story; don’t belabor it.

Make sure all loose ends are tied up. This is a great task for critique partners and/or beta readers. Whatever did happen to Uncle Bert after everyone else hared off after the bad guys and left him chained to the gushing water pipe in the basement? Or Sally rescued the lost kitten in chapter two, but the kitten was never mentioned again. What happened to it??? You can bet your readers will ask these questions!

Whatever you do, please, please avoid the temptation to use a plot ploy at the end. No hand of God reaching down to set all aright, or aliens/knights in shining armor/Navy Seals (that haven’t been part of the book until now) suddenly appearing out of nowhere to solve all the problems. Or a minor character who inexplicably becomes the linchpin upon which the premise of the entire book now rests. I have read books that ended this way, and they were disappointing, to say the least. Keep your characters true to their motivations and your plot logical. That makes for authenticity, and happy readers.

The ending should have a twist that no one saw coming. No one likes to read clichés, whether within the book or at the end. Do your best to give the reader a wonderful surprise, one that delights or challenges. Don’t be afraid to brainstorm different endings; too often we pick the first idea that pops into our head. The best idea may be the fifth or eighth. Have fun with this. Readers will enjoy the result.

What about epilogues? They seem to be more effective and better received than prologues. An epilogue can be a wonderful way to tie up remaining loose ends (especially in an action-packed story). It can even set the scene for the next book, if you are writing a series. But keep it short. No more than two pages. Make it count; otherwise, it’s best to leave it out.

You want your readers to be satisfied so they will write nice reviews on Amazon and Goodreads. You want them to tell their friends about the great book they just finished. You also want them to like the end so much they’ll come back for your next book. And the next one.

So give them an ending that carries an emotional punch, the one they hope for. Your reader has invested money and, more important, their time. Make it worthwhile.

What have you learned about writing endings? Any tips to share? I’d love to hear them!