Self-Publishing and the Personal Approach

2009 book signing, CMN, with Karina Fabian

Because self-published authors don’t have a publishing company to help them promote their books, it’s important to take the initiative in marketing. Even authors who have publishers must often do their own marketing. Connecting with your fans on a personal level is a great way to market your book. This can be done through attending conferences as well as interacting with them through your blog, Facebook, Twitter, Google Plus and Pinterest.

Face-to-face interaction, however, is one of the most effective ways to market your book. If you have the budget, time and freedom to do so, I highly recommend attending conferences as a vendor and/or book seller. Readers and potential customers appreciate the opportunity to speak with an author and to have their books signed by the author herself.

For the first six years of my career as an author, most of my book sales occurred at live conferences I attended as a vendor. (Now, Kindle sales account for 90 percent of my writing income). I typically attend two or three conferences a year. I normally sell anywhere from 30 to 100 books per conference (depending on the length and attendance of the conference.) For example, I have attended the Journey to the Father Youth Conference as a vendor every summer since 2005. The JTTF attendees, workers and volunteers know me and, most importantly, there are many at this conference who will not only buy anything I write, they will buy multiple copies.

Another way to keep things personal in marketing is to consistently reply to fan mail, comments on your blog, on Facebook, Twitter and other social networking. This develops a rapport with your readers and you can also make a lot of good friends too!

Participating in Skype and teleconference calls with book clubs are also a wonderful ways to connect with readers. I’ve participated in several Skype calls with readers and book clubs.

One last — and very important — approach: With the Catholic Writers Conference Live fast approaching, please consider attending and networking with other Catholic writers. If your book has the Seal of Approval, you can register to do a book signing at the Trade Show (see photo above), be interviewed by CMN for their author book trailers and possibly be interviewed on EWTN’s Bookmark.

Remember: connecting with your readers can help to promote your books to those readers who will return time and again to purchase your books.

copyright 2013 Ellen Gable Hrkach

Converts — I Admire them SO Much

When I was about six weeks old they dressed me up in a white silk christening gown, carried me into the church, stood around while I was baptized, renounced Satan for me, and then carried me back home as a child of God. I guess I slept through the whole thing, because I do not have one iota of memory of that day. What I just wrote about comes from what I was told. My siblings all went through the same initiation process into God’s family. We are known as “cradle Catholics’. So are many of you.

I was raised Catholic, taught Catholic, went to Catholic school for 12 years, was an altar-boy, and grew up in a neighborhood that was predominantly Catholic. Today, I am considered a ‘devout’ Catholic. Why? Because all of it stuck. I still love this faith I was born into. I even go to Mass almost every day of the week. It ‘stuck’ to my sister. She still faithfully practices her faith.  My one brother will go inside a church for a funeral or a wedding. That’s it. He must have been coated with teflon because nothing stuck to him. My youngest brother somehow shed his Catholic skin, and, after many years, metamorphosed into a “Born Again Baptist”.  I remember standing at his wedding thinking that I had traveled to ‘Bizarro World’ where everything was backwards. Up was down, hello was good-bye, fat was thin and so on. How could you go from Catholic to Baptist? Whatever–“judge not lest ye be judged”.

So I ask the question; How does that happen to people who have the same background and upbringing? How come so many of the people I knew from childhood and who came from the same type of Catholic background I did have rejected the faith and moved on to other creeds or no creeds? How come 75% of Catholics went to Sunday Mass in 1960 and today we are at about 22%?  The answer may be found in the many volumes of psych books available or in the Bible or the Summa Theologica or maybe nowhere. I know I cannot answer the question. But, do not despair my faithful Catholic compatriots. Rejoice!  There is an upside. They are called Converts.

Converts are the people who have discovered the Catholic faith on their own. Unlike me, who had my faith handed to me as a sleeping infant, these people consciously chose to embrace this gift after personally pondering and praying about it . They are like the first Christians who were mostly Jewish and found Jesus (and vice-versa) who was also a Jew. The first Pope was a Jewish convert.  On the very first Pentecost Sunday thousands of people from all walks of life converted. This was the beginning of the faith spreading. Instead of babies,  it was grown-ups.  Who went out and suffered and died for this new faith they had accepted. They chose  it, embraced it, and knew the consequences of their actions. Imagine that. I admire them SO much.

Last March during the Easter Vigil,  22 people stood up  in my parish alone, and received the sacraments embracing the Catholic faith. I have no  statistics available for 2013 but I have seen numbers of 150, 000 converts to Catholicism in the U.S. in 2012.  That is FANTASTIC. These new, enthusiastic converts who are filled with the Holy Spirit are one of the reasons Holy Mother Church will be around until the end of time. It’s a beautiful thing.

 

 

 

 

Dismantling Writer’s Block

Writer’s block.

I don’t believe in it.

Okay, I’ll hedge that a bit.

All writers have moments when the words don’t come, or they have to be pried out of our brains like candy out of a three-year-old’s grasp. I do acknowledge that fact. Those moments are not fun.

Those moments are always uncomfortable, even anxiety-provoking.

“Writer’s block” is a great excuse when you need one.

But I’ve learned that when I run up against the dreaded blank-page-combined-with-blank-brain syndrome, rather than “try harder,” I need to dig deeper.

For me, writer’s block is a symptom, not a disease. It almost always shows up when something else is wrong.

I’ve run up against it twice in the past couple of weeks. The first time, I was working on revisions to a book length manuscript. The rut began to form when I tried to revise in accordance with a critique partner’s suggestions. Mind you, there was nothing at all wrong with her suggestions; I understood and agreed with them. And yet the more I tried to comply, the deeper the rut became, until I was stuck.

When I finally stepped back and reevaluated, I decided to trust my own instincts and disregard the advice. The floodgates opened. Ta-da! No more writer’s block.

The other instance was when I was trying to write a post for a guest blog appearance. I got so tied up in how awesome all the other guest-bloggers were (and how hard it was going to be to compete with them) that I couldn’t think of a subject to write about. Fear of the unknown kept my fingers off the keyboard, with that blasted cursor mocking me.

And then I recognized what I put in parentheses in that paragraph.

I know better than that! At a simple decent-human-being level, or at the level of maturity befitting the color of my hair, I know better than to compare myself to others. And at the level it matters most, as a Catholic Christian believer, I know that we are all given the exact gifts God wants us to have. I can entertain exactly zero envy over the other bloggers’ humorous or clever or passionate posts. Once that flash of insight came, I was able to write.

Here are some of the tools for dealing with writer’s block I’ve discovered over the years, none of them my own, by the way. I credit the many authors who traveled ahead of me with these ideas!

1.       Give yourself permission to write badly – and then write. The words you tap out on your computer are not etched in stone. You can delete what doesn’t work later, so just start putting words on paper, so to speak. I’ve often started out with “I have no idea what to write next, but I have a sense that such-and-such character might do/say this, or that plot idea might happen.” Within a few sentences, it usually morphs into something I can work with. The unanticipated gift of this method is that I often discover a gem that livens up the story.

2.       Get out of your own way. Figure out what’s wrong. If there are underlying issues, acknowledge and face them. If fear has you paralyzed, stare it in the face and then stomp over it. We are all insecure. We all fear failure, success, taking a risk, criticism, making a commitment. Deal with what ails you, and then write anyway. If there’s something wrong with the manuscript, try writing the scene from a different character’s perspective or go a different direction for a while.

3.       Change your scenery. Get up and walk away from the computer. (I can’t tell you how many times a solution came to me as soon as I shut down the laptop and stood up!) Even better, go outside. Smell the flowers. Let the sunshine warm your face. Listen to the raindrops on the street, the leaves, the roof. Go to a museum, or a movie. Go to the zoo and watch people watching animals. Go to the mall and make up outrageous stories about the people walking by.

4.       Get physical. Go for a walk or a hike. Dance. Play a game of tennis or hopscotch or go for a bicycle ride. Anything to get the blood flowing in your muscles—and in your brain.

5.       Write something else. Write a thank you note or an email or an honest-to-gosh real live, old-fashioned letter! Free write, or use a writing prompt. Write fiction if you’re stuck on a nonfiction piece, and vice versa. Interview your characters; ask them what they want you to know.

6.       Do something creative with your hands. Draw or paint a picture. Do it with your non-dominant hand. Make a quilt square or embroider the beginning of a pillowcase design, if you like fabric arts. Cook something really yummy from scratch, and enjoy the aromas and textures along the way. Garden, whether it’s indoor or outdoor. Write something longhand. Try that with your non-dominant hand!

7.       Engage with another human being. Hey, we’re writers. It’s a solitary activity. Sometimes we forget how much we need to connect with others. Take a break and play with a child. Talk with your spouse and make eye contact. Volunteer, officially, or just lend a helping hand. Go out for coffee with a friend, or invite another family over for dinner.

Rather than a curse, writer’s block can be a blessing. Listen to it. Let it tell you what you need to do, or not do.

Just don’t let it be an excuse to keep you from your passion.

How do you identify writer’s block? What strategies do you employ to get past it? What have you learned from it?

 

 

From the President’s Desk – May, 2013

As I write this, the rain is softly falling, the birds are chirping and I’m frantically trying to meet four deadlines. Such is the life of a writer.

Have you ever heard of the saying “Many hands make light work?” If you have a large family or grew up in one, you know how important it is for every member to help out. In this way, the Catholic Writers Guild is much like a large family. Each member is encouraged to do his part, even if it’s only a small part.

Image copyright James and Ellen Hrkach

The Catholic Writers Guild has over 300 members and perhaps only 25 active volunteers, many of whom volunteer for several jobs and activities within the guild. (Special thanks to our volunteers!) Some of these jobs entail only ten minutes a week; others are more time-intensive. Prayerfully consider stepping up to the plate and helping out with the Guild.

If you would like to volunteer, please email me: president(at)catholicwritersguild.com.

And…don’t forget…the Catholic Writers Conference (August 7-9) is fast approaching. If you are planning to come and have not yet registered, please do so as soon as possible. If you’re not able to attend, you can still ask for your SOA-approved book to be displayed.

Catholic Writers Conference Registration

Until next month…

Blessings,

Ellen Gable Hrkach
President

The “Whole Package” Novel

Are you currently writing a novel? If so, my previous post encourages you to read great books in order to be a better writer.

For me, as a novelist, my goal is to write novels that encompass the “whole package.” So what is the “whole package” in novel writing?

In my opinion, the best novels contain compelling “can’t put it down” unpredictable stories, brilliant character studies, believable dialogue and rich, variant language. The majority of contemporary books are not “whole package “ novels (although there are a few contemporary novels listed below).

Most novels tend to have one or two strengths but may be lacking in other areas. For example, Jodi Picoult’s books have brilliant character studies, narrative voices and crisp writing, but sometimes the stories are lacking. Mary Higgins Clark’s novels have great stories and a crisp writing style, but they’re usually formulaic.

Gone With the Wind by Margaret Mitchell is one of those rare hard-to-find “whole package” novels: (Repeat from a previous post: I own a hard copy but downloaded this on Kindle for 1.99). This has become my favorite book of all time. Mitchell only wrote one novel in her lifetime, but it is the quintessential novel, especially if you enjoy historical romance. This book has it all: excellent, crisp writing, compelling story, intricate, believable and brilliant character studies and, most importantly, it is NOT formulaic. I don’t mind reading formulaic novels, but it’s more enjoyable for me to read a novel with unpredictable stories. The movie is a fair representation of the book, although reading the book offers richer character studies.

Reading and studying “whole package” novels will help novelists improve their writing.

Here are a few other “Whole Package” Novels:

The Time Traveler’s Wife by Audrey Niffenegger (This was also made into a movie, but I highly recommend you read the novel first. The movie is a fair representation of the book and I enjoyed both immensely.)

A High and Hidden Place by Michele Claire Lucas. My review is here. Excellent story, characters, writing.

Pride and Prejudice by Jane Austen. Many people don’t appreciate the rich, literary language of the early 19th century, but this is my favorite of Austen’s books. Austen’s books are rich in characterization, complex in storyline and her writing is exquisite. There are quite a few film adaptations; my personal favorite is this one with Keira Knightley.

One of Ours by Willa Cather (my review here)

To Kill a Mockingbird by Harper Lee. Most students will read and study this book at some point in their education. I read it first, in high school, then read it a second time when one of my sons was studying it. Again, Harper Lee only wrote one novel in her career and it was an incredibly moving one with rich characters, excellent dialogue, compelling story.

The Lord of the Rings by J.R.R. Tolkien: (The movie remains fairly faithful to the novels). Rich characters, beautiful writing, compelling story and symbolism all make this a whole package novel.

The Chronicles of Narnia by C. S. Lewis: I read these books out loud years ago to my boys at night before they went to sleep. Highly recommend.

Do you have any favorite novels that encompass great storytelling, rich language, believable characters and unpredictable plot lines? Feel free to comment below!

copyright 2013 Ellen Gable Hrkach

Community! Find it in Unexpected Places!

I took up a swimming challenge at our local YMCA in January, and I’ve had plenty of time while plowing through the H2O to contemplate. One of the things that came to me recently – and which I did not anticipate – was what swimming (or any solitary sport), writing, and faith have in common.

Did you notice the word solitary? Swimming is singularly solitary, because your face is in the water and the opportunities for interaction are pretty limited. This is true for writing, minus the face-in-water part. It’s an internal activity. Faith comes down to one’s core beliefs, which is, by definition, extremely individual.

What I never expected to discover with swimming is community – and yet it is there. Maggie, Ann, and Linda show up at roughly the same times I do for laps. They bring smiles, enthusiasm, and energy which all rub off on me. (Hopefully, I bring the same to them!) They also challenge me to do more than I ever thought possible, both in distance and in perseverance.

This is what a faith community does for us, as well. While we are responsible for nurturing our own growth, its potential is exponentially expanded when we share our faith with each other, and deepened when we gather to worship as community.

Writing communities can be powerful agents of support and encouragement, too. Because of the solitary nature of writing, it’s important to connect with other writers, whether through online venues such as Catholic Writers Guild, or through face-to-face opportunities.

So how is one to find these opportunities? The question of finding critique partners has come up a few times recently in the CWG blog. It’s not always an easy question to answer. The first step is to find writing groups. You’re here, so you’ve discovered this wonderful community. There are some forums for critique groups; check them out and see if they are a good fit. Also, participate in the live and online Catholic Writers Guild conferences whenever possible, and consider saving up for the annual writing retreat. Opportunities abound within this group!

Beyond CWG, check with your library or a nearby college for local groups. Google writers, authors, or writing groups in your area. (I recently found two groups in my area that I had no idea existed; you might be surprised!) Attend a local or regional writing conference, even if it’s not in your genre. You might connect with another author and decide to trade manuscripts for critique. Sometimes critiques are raffled off as writing fundraisers, or are offered as an extra benefit at a workshop. While this last idea isn’t as likely to result in long-term relationships, you will get some insight on how to improve your writing.

Many special interest associations exist, and most have local chapters. Check out American Christian Fiction Writers (which is focused on the Inspirational market and has a slightly different audience than the Catholic Writers Guild), Sisters in Crime (misters are welcome to join), or Romance Writers of America®. RWA® has a wide variety of online special interest chapters, one of which might address your genre, although all are focused on writing some variation of a Happy-Ever-After ending. Mystery Writers of America has an associate membership level for unpublished writers.  SCBWI, Society of Children’s Book Writers and Illustrators, is a gold mine of information for writers of children’s and young adult literature.

You might want to try out Critique.org, an online group that runs on critique exchange. No cost is involved, other than your time in exchange for someone else’s. Or consider an online writing class. One of my critique partners built a years-long critique relationship with a fellow writer she has never met in person. You can find class offerings on Announceonlinewritingclasses, a yahoo group. (Be judicious. When I first discovered online classes, I signed up for several at the same time, not realizing how much time and energy they can take. The cost adds up, too, but if you only sign up for the ones that really apply to your interests and level of expertise, it’s possible to develop a critique relationship with a like-minded author.)

For more on critique and critique groups, see my CWG post from May 22, 2012.

How have you found a writing community that meets your needs? How did you find Catholic Writers Guild? My guess is that many of us came from other groups; share what was best about them!

Unique Marketing Opportunity – The CWG Booth

Every year at the Catholic Marketing Network Trade Show, the Catholic Writers Guild organizes a booth which displays members’ books. Wholesalers, bookstore owners and other attendees can see, page through and even read excerpts of displayed books. This is a well-attended event so it presents a unique opportunity for CWG members.

It’s time again to gather books for the booth. You don’t need to attend the conference or trade show to have your book displayed. As you can see from the photo, it’s an extensive booth (usually taking up three to four booth spaces).

This year’s trade show (and simultaneous Catholic Writers Conference) is August 7-9, 2013 in Somerset, New Jersey. To take advantage of this great marketing opportunity, your book must be pre-approved!

We are representing the Guild and its mission, so books must be approved to ensure they conform to Catholic principles. The books do not need to be exclusively Catholic, but they do need to be free of any philosophies or elements that are contrary to Catholic beliefs. We also look for a minimum standard of quality of writing. Because we have so many members and because we anticipate a high number of requests, we have a few rules. Please read them carefully, as we will not be making exceptions:

1. If your book has been approved for the booth in 2011 or 2012, it is still approved for this year. (We probably still have the copy you sent us, plus any ordering information.)
2. If your book has been rejected in the past, it will not be considered again unless there have been significant rewrites.
3. If your book has the Seal of Approval or an Imprimatur, it is automatically approved for the booth.
4. If your book has not been approved, you can either submit it to the SOA committee (link above) or submit it for screening by July 1, 2013.
5. Books scheduled to be published after July 1st can be submitted digitally before this date (if approved, a hard copy must be made available for display).

If you are able to attend the conference, there are additional opportunities to take part in author signings and readings at the booth.

For more information, please contact me – (Ellen Gable Hrkach, President and Booth Coordinator) at ellengablehrkach(at)gmail.com.

New For Me: It is Happy Easter & Happy Pesach (Passover)

When we are newborns and are introduced into our particular family, it is an unknown world. As we  grow into this family we take it for granted. Mom, dad, siblings, dogs, cats, horses, gerbils, whatever there may be, become part of our existence. That world is what we know and love and in which we feel safe. We do not question it. At least I know my siblings and I never did as kids. I’m sure your little ones don’t either. They just know you are there and that is all they care about.

Our  four room, south Bronx world was crammed with Mom, Dad, five kids (me being the oldest), and Grandma. We did not think about it or complain about it. We were just like everyone else in the neighborhood. It was no big deal. Some folks had eight to ten kids in an apartment.  One person who was never spoken of, and we, as kids, never thought about (until we were older) was Grandma’s husband, Grandpa. The problem for us was that Mom died at 39, Grandma a few years later, and Dad right after that. We still knew nothing of a “Grandpa”. Mom did have one brother, my Uncle Larry. When I was 18 or 19, I asked him about his dad.  He told me his father died when he was little. Then  he turned and walked awayn and never said another word. What else was there to talk about? But the way I was cut off always stuck in my mind.  My sister thought that maybe he did not want us to know the truth.

Because of that, my siblings and I occasionally would talk about the mysterious and unknown Grandpa, and we did hypothesize: he was in an insane asylum; he was a spy during WWII;  or he worked for the Nazis. We even considered that maybe he was a murderer and had been executed. We even  had fun doing it. The only thing we learned for sure was that his surname was Schul. In fact, that was the only documented info we had on Grandpa for 50 years. Enter cousin Victoria, who had suddenly become very interested in genealogy.

Five months ago, the mystery was solved thanks to Vicki, who spent countless hours searching and checking and documenting. My maternal grandfather’s name was Isidore (Irving) Schul. He was born in Krakow, and his race was Hebrew. His parents’ names (our great-grandparents) were Simon and Regina Schul.  Grandpa Irv (that is what we decided to call him) had siblings who were most likely gassed to death at Auschwitz. We are not 100% sure on that–it may have been another death camp, but they did die in the Holocaust. As for Grandpa, he was the only one in his family who made it to America. He died in NYC in 1965. What happened between him and my grandmother remains a mystery.

I felt compelled to share this with my Catholic brothers and sisters who frequent this site. I am not sure why, but I just thought that I should. For me this Easter is very different. I cannot explain what rumbles inside me. I am a cradle Catholic, and so were my parents and my Grandmother (as far as I know). How she wound up with a Hebrew man from Krakow, Poland,  in the New York City of the 1920’s we’ll never know.

It is Easter and Passover, 2013. I am 25% Hebrew, and it is still sinking in that I had family members who were victims of the Holocaust. When I look at anything relating to that insane time, I have a completely different perspective. I am not just a spectator any longer–I am INSIDE looking out. It is a very weird feeling. Upon reflection I realize that the founders of our Catholic faith, from Jesus, to Mary and Joseph and the Apostles and so on were Hebrew people. I feel truly blessed to share in both worlds. Anyway–HAPPY EASTER & HAPPY PESACH (PASSOVER).

 

 

 

Jesus, our Saviour and our Example

The tension builds.

Halfway through the week from his triumphant entry into Jerusalem, hosannas still echo in the streets and Jesus is preparing for his passion. The disciples don’t understand; they still expect Jesus to conquer their political enemies.

But he knows better. He knows what he faces.

Betrayal.

Abandonment.

Death by crucifixion.

Most of us can understand and identify with betrayal and abandonment in this day and age, but it is a rare individual who can identify with the intensity of what Jesus experienced on a human level.

But none of us can—or need to—understand the depth of abandonment Jesus experienced on the cross. My God, my God! Why have you abandoned me?

Because of Jesus’ obedience, we know that God will never abandon us, will never betray us.

Nor will most of us identify with the cruel torture he endured. For those who can, my prayers and the prayers of many are with you, that you may find comfort and healing through Jesus’ sacrificial love and God’s tender mercy.

Jesus did not rescue the Jews from their Roman oppressors, nor does he rescue us from the human condition. But he rescued us from our ancient enemies:  sin and death.

Let us walk with Jesus through this Holy Week. Let us pray with him in the garden. Let us witness his pain, his death, which he accepted for our benefit. Let us in turn accept our infirmities, our suffering—and throw ourselves at the foot of the cross.

Not my will, but thine be done.

He bore all our sin on his cross; let us, in love, bear but a sliver of his.

 

 

 

 

 

 

 

Narrative Voice, Characterization and Reading To Improve Writing

Novelists should always be willing (and eager) to improve their craft. Writing fiction is difficult and complex because of the many complicated aspects (narrative voice, writing style, imagery, plot lines, characterization, setting etc).

Whether you’re a bestselling author or an aspiring novelist, one of the best ways to improve your writing is by reading well-written novels. Read books and dissect them. Ask yourself, What makes this particular novel great? What makes it not-so-great?

William Faulkner once said, “Read, read, read. Read everything – trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write.”

Currently, I read at least 100 books a year, mostly novels. I enjoy immersing myself in a compelling story with believable, relatable characters, rich imagery. These are the types of novels I aspire to write.

I read at night before bed and often first thing in the morning. I read manuscripts that are submitted to my publishing company. I enjoy a variety of contemporary novels and often read a classic or two here and there.

When I was a newbie, my editor recommended I read several books, then asked me to figure out what each book’s strength was. The first novel on the list was a book entitled “Picture Perfect,” by Jodi Picoult. (Spoiler alert) It’s a novel about spousal abuse. Picoult brilliantly creates an abusive – yet sympathetic – husband. So much so that when the abusive husband is begging his wife to return, I said out loud, “Oh, give the poor guy another chance.” I eventually came to my senses, but I realized that it was the author’s brilliant characterizations that made me want the abused wife to return to her abuser.

The following list is recommended for helping with character studies and narrative voice. It is, by no means, definitive. There are literally thousands of great novels with excellent characterizations.

Gone With the Wind by Margaret Mitchell (I own a hard copy but downloaded this on Kindle for .99). This has remained my favorite book of all time and I read it every few years. Mitchell only wrote one novel but it is the quintessential novel, especially if you’re writing romance. This book has the whole package: excellent, crisp writing, compelling story, intricate, believable and brilliant character studies. (More on the “Whole Package” novel in my next post.)

My Sister’s Keeper by Jodi Picoult: The winner of numerous awards, this novel is filled with brilliant character studies and narrative voices. The movie version was okay, but the book is much better (although like most of Picoult’s books, the ending is unexpected).

The Complete Stories by Flannery O’Conner: Just pick any of the short stories in this thick book and you’ll learn from O’Connor, who was a master of crisp, edgy writing and excellent characterizations.

Brideshead Revisited by Evelyn Waugh: A classic. Brilliant characterizations.

Death Comes for the Archbishop by Willa Cather: (read my review here) Also a classic.

The Lottery (short story) by Shirley Jackson (available free online) Excellent character studies.

Jewel by Bret Lott: This novel’s strength is the main female protagonist’s believable, moving, well-developed character.

A Farewell to Arms by Ernest Hemingway: This is my personal favorite of Hemingway’s novels. In this atypical war romance, I think the author’s strength is in the characterizations of the two main characters. I saw the movie with Rock Hudson and Jennifer Jones first, but the book captures their characters better than the movie. (Currently .99 on Kindle)

Do you have any favorite books or short stories that are strong in narrative voice and characterization? If so, please feel free to comment below.

Next month: The Whole Package and Reading Books that encompass great characters, unpredictable compelling stories AND rich, crisp writing.

Copyright 2013 Ellen Gable Hrkach