When Picking up Your Pen Is Picking up Your Cross

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By Janice Lane Palko

How do you regard your writing career? Perhaps you’re like me. I’ve been putting words on paper for more than 20 years, and I’ve always regarded my propensity to write as a being a blessing and as a calling of sorts. I wrote last month how God and, to a lesser extent, we humans can take something meant for harm and turn it into good. My writing has been a blessing wrought from misery.

I’m a natural-born worrier. Some families seem to pass on the proclivity to become addicted to alcohol, drugs, or gambling while others seem to be prone to divorce or commit suicide, but my family’s fatal foible is to fret. We are world-class worriers. After my third and last child was born, now nearly 25 years ago, I began to experience panic attacks. At first, I didn’t know what was happening to me, but as a worrier, I, of course, assumed it had to be something catastrophic like a brain tumor. After consulting my family doctor and a visit to a therapist, it became apparent that I was under too much stress—a lot of which I was putting upon myself. In addition to having three small children at the time and getting no sleep and experiencing several family health crises, I have a vivid imagination. As such, I realized through some introspection and prayer, that I was using my God-given imagination to terrorize myself. For instance, if I saw a carjacking on the news, I would cast myself as a victim and play out the scenario in detail in my mind of what it would be like to be taken captive and held by brutal criminals.

Through prayer, reprioritizing my things in my life, and discovering that I could terrorize people on the page through writing instead of myself, I found a happier, more peaceful, and more productive life. That’s why I’ve always viewed my writing career as a blessing in my life. It refocused my mind on more productive things.

During this Lent, however, I’ve come to another perspective–one that seems contradictory since I love writing so much. I’ve become aware that writing may also be my cross. Not to trivialize Jesus’s passion and death by comparing it to the life of a writer, but when you are a writer, life is not all sunshine and roses. There is suffering. How many of us could paper the walls with rejection slips? How many of us have had a piece you’ve sweated over fall flat? How many of us have looked at a paltry royalty check and wondered if it’s all worth it? How many of us have watched as books like Fifty Shades of Grey soar to the top of the bestseller’s list while our writing attempts to edify and inspire bump along the bottom of the Amazon charts? How many of us have put in a full day’s work or spent all day taking care of a home and children only to use what little “me time” there is to eke out some writing?

In writing this piece, I did some research on what it means for Catholics to “take up their cross.” It seems that passage of scripture is often difficult to define, but I like this thought on it that Saint Pope John Paul II gave during World Youth Day in 2001.

“As the cross can be reduced to being an ornament, ‘to carry the cross’ can become just a manner of speaking. In the teaching of Jesus, however, it does not imply the pre-eminence of mortification and denial. It does not refer primarily to the need to endure patiently the great and small tribulations of life, or, even less, to the exaltation of pain as a means of pleasing God. It is not suffering for its own sake that a Christian seeks, but love. When the cross is embraced, it becomes a sign of love and of total self-giving. To carry it behind Christ means to be united with him in offering the greatest proof of love.”

Like the proverbial double-edge sword, I’ve come to see my writing as both a blessing and a cross much as Jesus’s cross is both a curse as it spelled suffering and death and yet, at the same time, was the greatest sign of His love for us. Suffering and love are always intertwined.

Therefore, as we come to another Easter, I’m going to dwell less on the suffering endured as a writer and strive to be more like Jesus and take up my cross and offer everything I put on the page as a great proof of love.

Who Do You Say That I Am?

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By Janice Lane Palko

You’ve seen those Ancestry commercials about people who believe they are one race or nationality and then take a DNA test and find out they are not who they thought they were. My husband could be featured in one of those commercials.

This past Christmas, I bought him a DNA test because my parents had had their DNA tested as a gift for me and my siblings. Hence, I thought testing my husband would give our children a clearer picture of their genetic heritage.

My parents’ tests confirmed what my great-grandparents and grandparents had always told me—that I was predominantly Irish, with a splash of English, Welsh, and German. My hubby has always believed that he is half Italian and half Slovak. Imagine our surprise then when I opened the Ancestry email two days after Christmas and learned that he was 29 percent Italian, 25 percent Slovak, and, faith and begorrah, 19 percent Irish! Where did his green roots come from? We still have no idea.

My mother, whose maiden name is Hughes, registered 11 percent Irish and 50 percent Great Britain. Technically, my husband was more Irish than my Irish mother. The target of good-natured jokes from my family over the decades for not being Irish, my hubby now is one of the clan. He has taken great delight in his newly found heritage, lording it over my family, prompting him to don his “Who’s Your Paddy?” T-shirt reserved only for St. Patrick’s Day wear. The axis of our world has shifted a bit, and now I will have to throw away the “Honorary Irishman” button I gave him 36 years ago when we were first dating.

Accompanying the DNA test came a free month’s subscription to the Ancestry website, and I took full advantage of it. I discovered some things along the way. I learned that one paternal great-grandfather, James Lane, had a mother named Mary, a sister named Mary, two wives named Mary as well as a daughter named Mary, which made keeping all the Marys straight very difficult. I learned that a maternal great-great grandfather, who the family had been told had died when my great-grandmother was very young, most likely skipped town to take up with another woman in Colorado. I also learned that my English great-great grandmother who owned a bar, smoked a pipe, had a tattoo, and a pet parrot (I must have descended from sea captains.) and had 13 children was not widowed as had been reported by my late grandfather. She had divorced her husband as her marriage license to her second husband, my great-great-grandfather, stated because of “cruelty and barbaric abuse.” She went on to have a set of twins, one of whom was my great-grandmother. While Catholics dominated my heritage (hence the myriad Marys), I did find some Welsh Baptists and Cornish Methodists among the lot.

However, the most stunning discovery was that I had a fifth great-grandfather, Martin Short, (not to be confused with the comedian and actor), who came from Dublin in 1750 to the U.S. and fought at the battles of Bunker Hill and Yorktown and crossed the Delaware with General George Washington.

In addition, I learned some other, more important things. First, life matters. Although in this day and age, we treat it rather cavalierly, why, if life were not so important, would our ancestors have taken such pains to record births and deaths and chronicle who we have descended from?

Second, as writers, we provide a link to the past. I taught memoir writing for a number of years, and I always urge everyone to write their life story. What we put on paper today may one day offer clues, insights, or inspiration to someone yet to be born.

Third, you are dead for a very long time. My searches revealed a few relatives who died days after birth or as young children and one centenarian. However, no matter how long any of them lived, most have now been dead longer than they were alive, and with each passing day, they are even “deader.”

We will all eventually be dead longer than we have been alive. Therefore, plan accordingly. Make the most of your time on stage. Dream big, write beautifully, love with passion, leave a legacy. And all the while, prepare for your eternity. What you do now will determine where you will be later.

Finally, whether you think you are one nationality or ethnicity and you find out that you are not, or whether you find heroes or scoundrels or just common housekeepers, coal miners, railroad laborers, or shopkeepers in your background or not, it really doesn’t matter. Jesus posed this question of his disciples: Who do you say that I am? We should also ponder the converse. Who does He say that we are? What is our real identity? What He tells us is that we are His fallen creation, who He reclaimed for Himself on the cross so that we could become His beloved children and live with Him in eternity.

While it is interesting to know where you’ve come from, it’s more important to know where you’re going. That supersedes any knowledge of our earthly identity. Cling to your heavenly heritage because it’s the only one that truly lasts.

Pick up the Orange

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By Janice Lane Palko

Some people receive profound promptings from the Holy Spirit. Me? I get messages like “pick up the orange.”

A few weeks ago, I walked into my local grocery store and saw a woman select some oranges and put them in a plastic bag. As she walked away out of the corner of my eye, I saw an orange fall from the display and roll across the floor.

You should pick up the orange, said that still small voice.

Instantly, I began rationalizing. I didn’t dislodge the orange. Why should I pick it up? They have stock boys to do that. I’ll look stupid, like I have OCD or something, if I pick it up and put it back where it belongs. Let somebody else do it.

Then my better nature joined the debate. Will it kill you to pick up an orange? Geez, Mother Teresa picked up dying people from the streets, and you’re freaking out over an orange. How shallow are you? Who cares what people think? Someone may trip over it. You will be doing a good deed, no matter how insignificant.

So, I pushed my grocery cart over, picked up the orange, and put it back in the display. But then something else happened.

As I was about to press on with my grocery shopping, I caught a glimpse of a woman to my side bend and pick up another orange, one that I hadn’t even noticed had escaped with the other orange, and replace it in the display.

I was astounded. This woman was following my example.

That little interlude set me to thinking about life, and for those of us who write, about what our toils to turn a phrase may mean in the big scheme of things.

Several months ago, fellow CWG member Cathy Gilmore posted an article from the Catholic News Agency titled The Catholic Church Desperately Needs Artists by Mary Rezac. It detailed how the world so sorely needs creative people who can bring beauty and truth to the culture.

I don’t know about you, but I’ve been writing for more than twenty years, and the monetary return on my artistic endeavors has yet to land me a summer home at the beach, a six-figure deal, or a stint on Oprah.

I attend a weekly Bible study, and shortly after the orange incident, our leader asked us to share our all-time favorite inspirational books. One woman recommended He and I by Gabrielle Bossis, a French, Catholic woman who lived from 1874-1950. He and I chronicles the interior conversation she and God shared. When she was putting these conversations on paper, Bossis didn’t know that after her death, they would be published, translated into many languages, and cherished by so many readers.

At times, it may be frustrating when we think of how much time and effort we put into our literary endeavors compared to the remuneration we receive in turn. However, I don’t, and I’m sure many of you don’t, write solely for financial gain. Then, take heart, fellow creatives. Though we may never know the extent of our influence, like Bossis, our work may do good long after we are gone.

I don’t know if God intends for me to be a best-selling author or not. But what I do know is that I’ll be fine with whatever magnitude of success I achieve. I’ll continue to write and strive to bring beauty and truth to the world through my work with the hope of glorifying God.

I may be only a stepping stone for someone who comes after me, a toehold for another writer on their climb to achieving loftier success in reviving what has been a hallmark of the Catholic Church throughout its existence: excellence in artistic expression for the glory of God.

Therefore, as this new year begins, I’m going to pick up that orange and keep on writing. I urge you to do the same. You never know who is watching us or reading works or being inspired by our example. We don’t know who may decide to follow us, who may bend down to pick up that orange we didn’t even realize had also rolled away.

Time to “Slap Back” at the Self-Serving Intolerance of the Anti-Catholic/Christian

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Sorry–it is Good Friday and I do not feel too “bubbly” right now. When I began to contemplate the Cross today and Who was nailed to it I found myself disgusted. I am disgusted and fed up with the approximately 2% of the population who are gay and are screaming at the “intolerance” of the Catholic/Christian community which comprises 80% of the American population. I am tired of us being called “intolerant” and “homophobic” and “racist” etc., simply because they do not get their way in every little thing they demand. Have they ever once considered what that Cross we revere stands for? The fact is, they have hijacked the Cross and insist it represents them and their self-indulgent ideology. We Christians are the “bad people.” This perverse nonsense has to stop.

I am also tired of the mainstream media and the Hollywood elite denigrating and mocking Christianity and all who belong to it as “fools.” Aren’t you tired of being trashed by the anti-God people? Why can’t they seem to understand one bit of the the kindness and goodness that has been extended to ALL people by Catholic/Christians, you know, people like all of us. Bill Maher says that people who believe in God, “are idiots and they are stupid.” Has he or any of his fellow God-haters ever taken one damn moment and looked at that Cross and reflected about the sweet mercy, flowing grace and abundant love that smeared blood red all over the wood? I think not.

The United States State Department says that in at least 60 countries, Christians face persecution simply because they are Christian. Imagine, being hated for loving. How twisted is that? Seventy-five percent of the world’s population lives in areas with severe religious persecution. Yes, yes, I know, we are supposed to “turn the other cheek.” Well, this Catholic man says I’ll turn it but if you keep slapping my face every time I do, sooner or later I am going to slap you back. My brothers and sisters, I think it is time to start slapping back. Not with fists and pipes and lies and rants but with the written word defending our Faith against all attacks, even if it is a Tweet on Twitter or a blurb on Facebook.

I also want our bishops to get up there and start defending Christ and His people. And I want them to tell their priests to defend it also. (When was the last time you heard a priest in your parish defend the faith against the evil run amok all over the world including the USA?) I want them to say “We don’t need your your damn tax exemption 501c3. We must defend our faith no matter what.”

That’s right, forget this “PC” (politically correct) nonsense. We, as Catholics, do not put pen to paper and lie, slander or foment falsehoods about people. We write about Jesus Christ and the beautiful Faith He has given to us. That is not evil or intolerant. That is what we are about. We are about loving our neighbor and, for the most part, we do.

Last June ISIS overran the city of Mosul in Iraq. They killed countless numbers of our brother and sister Chaldean Catholics. The Church in Erbil has set up camps and is helping more than 130,000 refugees settle in temporarily until they might once again go back home to Mosul. Pope Francis has set an example for us all, including our hierarchy. He has sent Cardinal Fernando Filoni, the Prefect for the Congregation for the Evangelization of Peoples, to these displaced Catholics. The Holy Father has initiated a program to give out cakes to each of the families in the camps. A total of more than 20,000 cakes will be distributed as the Holy Father shows them they all have his support and he is standing up to the maniacal, Satan driven savages of ISIS. He has taken the lead.

All I am asking for is more defense of the faith via the spoken and written word and some leadership from our safely placed American hierarchy in mounting a campaign to do so. Jesus never said it would be easy following Him. Seeing what happens to Him on Good Friday proves it. War is being waged against us, not only over there but right here in our own country. Time to “slap back.”

Margaret Rose Realy and Lent – CWG February Book Blast

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Cultivating Gods Garden - Feb 2015

This month’s CWG Book Blast is to get you ready for Lent. We’re a little behind, but that doesn’t make Margaret Rose Realy’s book any less applicable. It’s a perfect springtime meditation as well. It has the CWG Seal of Approval and is published by Patheos Press.

Cultivating God’s Garden through Lent

Margaret Rose Realy, Obl. OSB

These daily reflections for Lent offer tranquility and simplicity by finding God through nature. Readers who love gardens and woods and find solace in experiencing the Creator through these environments will enjoy these prayerful reflections.

Excerpt:

Thursday after Ash Wednesday

 Fast from bitterness; turn to forgiveness

Fast from hatred; return good for evil

It was a relatively small patch that I had dug at the back end of the yard to the rental house where I planned a vegetable garden. As an undergraduate at MSU, and a decade older than my classmates, I knew that growing my own food was a necessity; I did not have parents supporting my education.

I dug a portion of the sod and broke up clumps, picked stones and broken glass from the soil, raked it smooth, and mounded the edges to help direct water. Purchasing seeds, I then planted the early season crops of peas, radishes, kales, and a few herbs. A few weeks later I would purchase starter plants for vegetables that took longer to mature such as eggplants, tomatoes, and peppers.

I returned home rather late after classes one day about a week later and again headed to the back of the yard to water the seedlings before sunset. A few feet away I stopped dead in my tracks, saddened by the state of my garden patch. The mounded edges had been kicked into the lawn. Two-thirds of the patch had been covered over with pieces of hand-dug sod, while the remaining third was trampled. Apparently I had unknowingly encroached into the neighbor’s property.

Disheartened, I cleaned up what remained but knew I did not have enough time in my schedule to expand the now even smaller patch.

Soon afterwards, as weather permitted, I planted starters of tomatoes and eggplants in the remaining section of garden. In another garden area bordering the house I tucked in some bush zucchini seeds.

Throughout the summer when I was studying in my room, I would often hear the neighbor mowing his yard and anxiously hoped my plants were safe. They were often coated with grass clippings but never really damaged.

It wasn’t long until the fruits of my labor ripened and canning and freezing commenced. There is something about tomato and zucchini plants in that I always underestimate their production. Even with the smaller plot I had an overabundance.

While washing the vegetables I looked out the window over the kitchen sink. Sitting in the shade of a large sycamore tree was the woman who lived with the man who mowed the lawn that covered my plants with debris. What I saw was just another woman on a hot August day trying to find a cool place to sit. I had lived next to her for almost a year and never knew her name. After all, I was just another student in the rental house next door.

I carefully laid newspapers in the bottom and up the sides of a small cardboard box. I placed a few small zucchini to one side and then piled several large tomatoes on the other. I took a deep breath and headed out the screened side door.

As I approached the woman I introduced myself and held out the box of vegetables. I could tell by the look on her face she was surprised to see me. I think she realized for the first time that I, the student next door, was close to her own age and not a teenager.

As she accepted my gift she seemed dumbfounded by my presence. She never rose from the lawn chair or told me her name. Avoiding eye contact, she spoke a barely audible “Thanks.”

Feeling rejected, but without bitterness, I turned away and went back to my kitchen to continue putting food by. Looking again through the window I noticed that my neighbor had left her shady area and taken with her my gift.

That September I found a room in a house closer to campus. Before I moved away I kicked the mounded edges of dirt into the little patch that had been my garden, smoothed it over, and dusted it with seeds for new lawn. I patted down my pant legs and “shook the dust from my sandals,” knowing I had already moved on.

____________________________

Heavenly Father,

Guide me to always reflect you to those around me. Spare me the shame of reciprocal behaviors rooted in personal pride and let me not limit your love to human love. Grant me to be charitable and forgiving in the face of apathy or anger, so that those whom I meet will know it is you that I serve.

Amen.

Available online at:

Amazon, http://bit.ly/1Ms4EPF

Patheos Press, http://bit.ly/1iBPxTm

Barnes & Noble, http://bit.ly/17J9Fn2

Website: http://www.patheos.com/blogs/prayergardens

Author Central: http://amzn.to/1AKPvUS

Still not sure? Check out this review:

Cultivating God’s Garden through Lent offers daily reflections for each of the days of Lent. These reflections come from the writer’s experience bringing order to gardens both real and spiritual. At every turn of the trowel, every sprinkle of seed, every tug of a weed, Margaret points out to us the rich, loamy meaning that God has for us, just waiting there quietly, if only we will make ourselves still and small enough to see. Margaret does this, shares the fruits of her contemplation with us, and in doing so, invites us to examine our own gardens, wild and weed-ridden they may be. If we stop and look with her, we will see the kind of quiet, luscious adventure that only a gardener can find. This is the first book to ever make me wish Lent could be longer than it already is. The meditations in Cultivating are just the right length to slow you down without dragging it out, and the messages are presented so clearly… I cannot wait to see what sorts of seeds come forth from the read during that time of cold, silent, invisible growth [of Lent]. ~ Mrs. Erin McCole Cupp, OP

10 Steps to Indie Publishing

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Printing pressThese are the best of times for authors—and possibly the worst of times! The changes in the publishing industry over the past five years are nearly as significant as the advent of the internet. In fact, the two developments are intertwined and build on each other.

We all know traditional publishing has undergone tremendous upheaval. It’s still difficult to find an agent. Same goes for a publishing home, doubly so when entire houses fold or get bought out by another entity. Authors are taking to the waters of Amazon and related ponds by the droves, flooding the markets with their manuscripts.

What are some advantages to independently publishing your work? Total control is the one most often mentioned. You work directly with a cover artist to produce the best one for your story. You can replace it if you decide it’s not working. You can set your pricing, then change it at a moment’s notice if needed.

Total control is also the disadvantage to indie publishing. Marketing is incumbent upon you, no one else. Make no mistake: this is a big responsibility.

Given this environment, if you are interested but have yet to dip a toe into the pool, how do you go about what has become known as indie publishing?

1. Know your goals. Do you want to get something in print form for family and friends? Skip down to items 4 through 7 and ignore the rest. Do you want to reach readers who don’t personally know you? Start here and slog through every step listed.

2. Hone your craft. Write the best book possible, run it by critique groups and/or beta readers and/or enter it in contests to get unbiased feedback. Then hire an editor and revise. Yes, this will cost money. Yes, you must do it. Do not fall prey to the delusion that your book is the best one on the planet or the only one not in need of professional editing. It’s not. You can always make it better. Believe me, if your critique partners/beta readers/editors say it needs work, it does. Fix it. If you don’t, the whole world will be privy to the lashing you will get from Amazon and Goodreads reviewers. So make it the best possible book before you put it out there. At least no one will be able to say “poorly written/edited!”

3. Buy books on the process. Let’s Get Digital and Let’s Get Visible  by David Gaughran are great resources, they are cheap, and they are fairly up to date. He is a proponent of the Amazon-only model. If you are comfortable with reading advice by savvy romance writers, The Naked Truth About Self-Publishing by The Indie Voice is another great resource.  This group is a proponent of getting your work out to every venue possible; why limit yourself to one vendor? These three books come to less than $15 and lay an excellent foundation for understanding the nuts and bolts of self-publishing.

4. Explore publishing options. Amazon’s self-pub arms are KDP for ebooks, Create Space  or print on demand, and ACX for audio books. Ingram Spark is another option. Barnes & Noble, Apple, and Kobo have platforms for uploading books; I have not gotten that far and do not have information to share. I’m sure others can contribute to the conversation here!

5. Utilize the tutorials on each publishing site. They provide a wealth of information. My experience with customer service on each site has been exceptional. If your budget allows for additional services, pretty much anything you need is available .

6. Remember that nothing is set in stone. If you make a mistake, all you usually have to do is replace the file. For ebooks on KDP, the old one will still be available for sale until the new one goes live. With Create Space, the title will not be available during the changeover, typically twelve hours or so. That said, some mistakes require taking the book down and reissuing it. Call customer service if it looks like something you can’t address on your own.

7. Mistakes: You will make them. The earth will not stop rotating. You will fix them. A week later, you will probably have forgotten the details. Moral: Be nice to yourself when you demonstrate your humanity. Even better, laugh!

8. Connect with your writing community. Ask for help, share insights, cheer each other on, and promote each other’s work. There are enough readers out there for all books. Amazon gave a presentation at a conference I attended recently. Their statistics show a dramatic rise in books sold since the ebook became widely available. More titles, more sales. Readers are voracious. There is enough success to go around; it’s not a finite quantity.

9. Adapt. There is no right way or wrong way to do this. The only given is the quality of the product you put out. Beyond that, much of the process for individual books is trial and error. Try something and see if it works. If not, try something else. Be persistent. Realize that marketing is part of the authorial journey these days, whether you are traditionally or independently published.

10. Remember this is a business for the long haul. It may take years to build a following. Meanwhile, keep improving your craft and writing new content. That is the one action you can take to improve visibility of your books, and visibility translates to sales. Continue to interact with readers, either online or in person, so they remember you and look for your books as you write them.

Questions? Discussion? How about suggestions of books or other resources you’ve found? Please share!

Catholic Writers Conference, July 29-August 1, 2014

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EWTN Bookmark interviews at the CWG Booth

EWTN Bookmark interviews at the CWG Booth

Headed for Catholic Writers Conference next week? Are you excited? You should be! Take a look at this photo to get a sense of the energy and opportunities that await! What an opportunity to rub shoulders with industry professionals, to put names and personalities to folks you’ve met online, to renew friendships, and to network. This is a once in a lifetime experience; make the most of it. There will never be another gathering of exactly the same people at this point in their faith and writing journeys. Truly you are in Chicago, Illinois, because God has called you to be there!

Each of you has a specific reason for attending, a goal you hope to accomplish. If this is your first conference experience, the coming days are likely to be a roller coaster of euphoria juxtaposed with self doubt. Be assured that you are not the only one grappling with these feelings. I hope this knowledge translates into a greater sense of ease in a new and sometimes intimidating environment. Here are some words of advice (of wisdom, too, hopefully!) for both newbies and veterans, for authors, for agents, and for editors, geared toward making this conference the best it can be for everyone:

1) Everyone’s goals are the same, ultimately. Editors want to find the next diamond of a manuscript to publish. Agents want to discover the next author whose career they can guide to new heights. Authors want to find a publisher and/or agent to promote their awesome work. And in this particular setting, all of these people want to serve God with their talents and gifts in the way that pleases Him the most.

When viewed through that prism, competition loses the edge of greed and rejection loses its sting. We’re all on the same side, and God’s looking out for the good of each person’s life and career. This doesn’t mean you should fail to promote your product, just that there is no need for fear. Which brings us to the next point.

2) Be confident. You have something no one else does: your voice, and your work. These are gifts that God has given you, gifts that you have honed with hard work and prayer. No one can duplicate your contribution. Take heart in that fact, and know that your work will find its home. Maybe through this conference; maybe not – which leads to…

3) Don’t take rejection personally. Sometimes it just isn’t a good fit for the publisher or agent. Imagine a library with thousands of books. You have three days to find the best two. You will have to create a system to sort and discard the ones that aren’t suitable for your purpose. Do you see that many wonderful, deserving books will be overlooked? This does not reflect on the worthiness of each one, the same way it does not reflect on your particular project. And in today’s climate, many options are available. So…

4) Be open. There are many possibilities that we may not recognize in our limited, human view. Be open to new ideas, new directions, new options. You may discover a brand new path, or even a calling! You may discover it through…

5) Networking. This is the whole purpose of a conference. Meet people! Ask them what they write, who they want to represent, what they want to publish. Have a brief answer ready when others ask you these questions. (I write ____ and my current project is about ____.)

This is a remarkably small community, and the contacts you make in the next few days will serve you for your entire career. Do not discount the importance of these interactions. They are crucial for your success. But remember…

6) Be nice. This should go without saying, especially in this setting, but we are human and sometimes we need to be reminded. Keep your comments positive; you never know who might overhear or repeat something you said in a frustrated or disappointed moment. Again, this is a remarkably small community even though it may not seem that way.

Also, restrict your interactions to appropriate venues. Don’t try to pitch to an agent or publisher in the restroom, or shove your manuscript under the door of the stall. I have seen the first and have heard of the second, so these are not as far-fetched as they seem. Be considerate of folks. If the target of your interest has a headache or gets a pained look on their face when you approach, be brief. Introduce yourself and say you’d like to send them a query if that is acceptable; believe me, they will remember and appreciate your kindness. And that goes a long way. Which leads to the last point…

7) Be yourself. This may call for leaving your comfort zone, though. If you tend to be shy (many writers are!) push yourself to be more sociable. It’s not hard; smile and ask people around you about themselves. You’ll be glad you did. If you are an extrovert, recognize your tendency to overshadow the more timid among us and let them shine, too.

8) Use social media to keep the non-conference-goers among us updated! There’s the CWG Facebook page and your personal Facebook/Twitter, etc. accounts. The ripple effect can be unlimited. Share the love!

I hope each one of you has a wonderful experience at the Catholic Writers Conference! And… Oops! I forgot the most important words of advice! HAVE FUN!

Cheerleading! Mutually Beneficial Author Support

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Cheerleaders Doing Routine --- Image by © Royalty-Free/CorbisThere are a lot of us out there. Authors. With great books to share. Too often, though, we feel alone in our endeavors, trying to get readers to notice us in the roiling sea of other great books. This is a great time to be a writer! It’s more possible than it has ever been to publish a book. But that means that all sorts of other people are doing the same.

Whether you are independently publishing your work, under contract with a traditional publisher, or working with a small, online press, the business of marketing one’s work falls more and more upon the shoulders of the author. “But I just want to write,” you say. Hey, I’m with you. Me, too. But that’s  not our reality anymore.

How do we get “out there” where someone might notice?

First, write a quality book, no matter the genre. If you’re publishing independently, surround yourself with an expert team of editors, formatters, and cover artists. First impressions matter. Don’t give the reader a reason to skip past your book; give them a reason to stop and look at it, really look at it. Hopefully, they’ll be intrigued enough to click the ‘buy’ button.

Then, the meat of this post: Network. Before you ask people to spread the news about your book, make sure you’ve nurtured relationships with them, and have crowed about their successes. You can do this well before you are ready to publish your own work; in fact, that’s the best time to create these relationships. Have you gone to Catholic Writers Conference Live? Or participated in the online CWG conference? How about the Writing Retreat? Or any other writing focused activities? What about the CWG Facebook page? Have you interacted with other writers in any of those venues? I hope so, because that’s crucial for the next step, which is:

Celebrate with them! Post their new releases or awards on your Facebook page. Use your blog or Twitter to let your followers know there’s something available that’s worth their time. If you’re on Twitter, find and follow some entities that reflect your interests; they may reTweet for you and expand your reach.

Buy and read your friends’ books, and then review them on Amazon and Goodreads. *Caveat: Always say something nice, or don’t post a review. This does not mean you can’t be honest, but be honest in a kind manner. Personally, I never give a review with less than four stars, and even if I didn’t like everything about the book, I focus on what I loved about the book—or, if it’s in a genre that’s not  my favorite, focus on what readers of that specific type of book will enjoy about this particular one.

Here’s an example of how this might work. A few weeks ago, Erin McCole Cupp contacted me because I’d done a cover reveal on my upcoming release, Hijacked, on CWG’s Facebook page. Would I like to trade read and reviews with her? She’d recently published Don’t You Forget About Me, a cozy mystery. I said yes, and posted reviews on Amazon and Goodreads. She upped the ante and asked me to be an interviewee on her blog the week my book comes out. I said yes (!), and then tagged  her on a My Writing Process blog tour/relay. With any luck, some of my readers will be interested in her work and some of hers readers, in mine. That’s just with two authors! Imagine what can happen when more get in on the fun!

(And did you notice what I just did? I linked Erin’s website and the Amazon link to buy her book to this post. I purposely do this for everyone I mention on both my CWG and personal blogs. What goes around comes around…)

Join writing organizations and establish relationships with authors you respect. Be a cheerleader for them, and hope they’ll return the favor when it’s your turn. Yes, it’s time consuming, but it is well worth the effort—not just because they’re going to help you sell books, but because they are wonderful people and their friendships enrich your life.

Are you feeling a little less alone now? I hope so! If you’ve had success in the arena of networking, please share your story! What are the elements that contribute to that success?

 

The End: Sweet Words for an Author, Sweet Experience for a Reader

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The EndThe end.

Two of the most satisfying words a writer can tap onto a keyboard.

We’ve all dreamed of typing those six letters, and many of us have been fortunate enough to have achieved that particular success.

In my past few posts, we’ve discussed beginnings and middles. Let’s talk about endings today.

How do you craft an ending that works? You know what I mean: the ending that satisfies in a way that nothing else can. The good guys win, the couple (finally!) gets together for their happy ever after, the world is saved from certain disaster.

Yet I suspect many of us know when an ending doesn’t work. Have you ever read a book where the story had you in its grip—and then it fell flat and limped to the last page? I have. It feels like the author suddenly lost interest. Perhaps they were on a deadline and just typed a bunch of words to fulfill a contract. Or maybe they really didn’t know how the book ended, so they just threw some words on the page and hoped they would do. And that the reader wouldn’t notice.

Alternatively, I’ve read books where The End happened ten or fifteen pages before the printed pages did. It’s disconcerting to be engaged in the story, come across that emotionally satisfying ahhh that is the indisputable end…but then things keep happening and the characters keep talking, and as a reader, you’ve lost interest.

To avoid a bad ending, go back to the beginning. Is your theme still clear? Will the ending make that theme shine (even though it’s likely not stated outright)? What is the question posed at the beginning of the book? There may be an overall question, along with individual questions for each of the main characters. Are those questions answered in the last chapter?  What about the middle? Does all that suspense and tension you’ve nurtured through the book come to a climax that is addressed in the final scene(s)? If you’ve been paying attention to these elements of craft, you’ve set yourself up for a good, satisfying end.

Pacing is another issue. Keep the tension strong; don’t dilute it with throwaway words or scenes. When the end is reached, end the story; don’t belabor it.

Make sure all loose ends are tied up. This is a great task for critique partners and/or beta readers. Whatever did happen to Uncle Bert after everyone else hared off after the bad guys and left him chained to the gushing water pipe in the basement? Or Sally rescued the lost kitten in chapter two, but the kitten was never mentioned again. What happened to it??? You can bet your readers will ask these questions!

Whatever you do, please, please avoid the temptation to use a plot ploy at the end. No hand of God reaching down to set all aright, or aliens/knights in shining armor/Navy Seals (that haven’t been part of the book until now) suddenly appearing out of nowhere to solve all the problems. Or a minor character who inexplicably becomes the linchpin upon which the premise of the entire book now rests. I have read books that ended this way, and they were disappointing, to say the least. Keep your characters true to their motivations and your plot logical. That makes for authenticity, and happy readers.

The ending should have a twist that no one saw coming. No one likes to read clichés, whether within the book or at the end. Do your best to give the reader a wonderful surprise, one that delights or challenges. Don’t be afraid to brainstorm different endings; too often we pick the first idea that pops into our head. The best idea may be the fifth or eighth. Have fun with this. Readers will enjoy the result.

What about epilogues? They seem to be more effective and better received than prologues. An epilogue can be a wonderful way to tie up remaining loose ends (especially in an action-packed story). It can even set the scene for the next book, if you are writing a series. But keep it short. No more than two pages. Make it count; otherwise, it’s best to leave it out.

You want your readers to be satisfied so they will write nice reviews on Amazon and Goodreads. You want them to tell their friends about the great book they just finished. You also want them to like the end so much they’ll come back for your next book. And the next one.

So give them an ending that carries an emotional punch, the one they hope for. Your reader has invested money and, more important, their time. Make it worthwhile.

What have you learned about writing endings? Any tips to share? I’d love to hear them!

Books, and Toned Middles

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belly dancers for CWG croppedLast month, I talked about beginnings and how important they are to drawing the reader in to your book. It seems appropriate to continue on to story middles today.

Middles ought to be pretty simple. After all, it’s the stuff that happens between the beginning and the end. Many authors, however, struggle with middles. There’s a term for middles that lose their direction and energy: the dreaded Sagging Middle.

How do we keep our middles on task, doing the unsung but necessary work of getting the reader to the end of the story? How do we keep the energy high? Most important, how do we keep the reader engaged?

It’s best to step back and look at the big picture first. What is the underlying theme of your story? Is it clear and evident in every scene, though it’s likely never stated outright? Theme should be the basis for every action that takes place, every decision a character makes, and even descriptions of setting. Every word you use can and should further the development of the theme you’ve chosen. For more on THEME, click here.

Next, what about story structure? If you’ve built even a rudimentary five-sentence outline of turning points for a particular story, it is much easier to keep the individual scenes pointed in the right direction. No ambling about aimlessly in the rose garden and boring the readers—unless, of course, the rose garden is critical to both the theme and structure of this story! In that case, amble all you want, as long as there is purpose. For more on STRUCTURE, click here.

Now we get down to the nitty-gritty. Each scene in a story must have tension. This is sometimes referred to as conflict, and always results in suspense. Suspense isn’t defined as horror movie scary stuff; it’s simply a reader asking the question “What happens next” and turning the page to find out.

This is the key to toning up the middle of your book: Every scene and each chapter must have higher and higher stakes for the main characters. Each character has more to lose as the story progresses, and each character is forced into increasingly difficult choices. As situations evolve, and as the characters slog their way through their troubles, they reveal their increasingly deeper secrets to the reader. The characters struggle, and they grow. The reader identifies in some way, roots for them, and is willing to be swept along. For more on ROOTING FACTORS, click here.

One caution: Watch for filler, and ruthlessly cut it. It’s easy to rationalize that since this is the middle of the book, the reader is already caught up in it and won’t put it down, so you don’t have to work quite as hard, and nobody will notice that this whole scene/chapter doesn’t really advance the story; it’s just there because you, the author, like it. Nope. Readers are smart. Cut the scene if it doesn’t advance the story. Cut the details if they don’t advance the story. I know. It’s hard. If it’s too hard, create a file for deleted scenes and put the cuts there so they’re accessible if you want them later. I find that’s sometimes a necessary intermediate step, even though those end up fully deleted later. Human nature is pretty funny!

Once you approach the end of the book (or even at the end of chapters!), resist the urge to tie up loose ends too soon. I admit to that failing as a new author. My first attempts at chapters all had tidy endings. Wrong, wrong, wrong! Every chapter should end with an unanswered question. Analyze your favorite I-couldn’t-put-it-down book. What created that quality? I’m willing to bet it was ever more crucial unanswered questions, and lots of loose ends. For more on TENSION, click here, and for more on HOOKS, click here.

What tips do you have to share regarding middles? I’d love to hear a new take on the subject!

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