Welcome to the 30K for Christ

As we embark upon Holy Week, we are also opening a month of writing dedicated to our Lord.

A few years ago, when National Novel Writing Month was just a November event, several of us on the Guild got to talking about how it didn’t fit our needs.  Some of us wrote non-fiction; others short stories.  While we loved the idea of a word-count challenge, but we wanted something that would address all of us–and our role as Catholic Writers.

30K for Christ was born.

The challenge is simple:  Write 30,000 words in the month of April.  They can be blogs, articles, stories, novels. They can be a combination.  They do not have to be nonfiction or even spiritual.  (I will be working on my next DragonEye, PI fantasy, Gapman.)   However, for those words to count in the challenge, you must dedicate them to Christ.

How?  By prayer, by subject matter, by the conscious effort to reflect His will and not our own.

This year, we have a wonderful advantage over the past–we have the blog where we can invite others not in the Guild to join us, and where we can post thought-provoking articles about what it means to be a Catholic writer.   In addition to posts by Joe Wetterling on The Baptized Imagination, we are posting the transcript from Barbara Nicolosi’s chat, “Toward a Literature Which is Catholic.”  We are dedicating at least Thursdays to such posts, and to inviting folks to post their word count in the comment section.

Participation is easy:  If you are a CWG member, we invite you to post your intentions in the forums:  (http://catholicwritersguild.com/index.php?name=Forums&file=viewforum&f=84).  We have threads for word count, excerpts to share, questions and calls for help.  If you are not a member, now is a great time to join the CWG.

Member or not, you are invited to join with us on the blog.  Say hello today, and then share progress on Thursdays.

We hope that by making a conscious effort with your blogging, you will develop a habit to invite Him in all your writing efforts.  The Lord created us with a wonderful gift.  It is our privilege and obligation to thank him by using it in his service.

God bless you, and Happy Writing!

-Karina

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#30K4JC – Twitterati Edition:

Want to keep up with 30K for Christ on Twitter? Use #30K4JC (not case-sensitive) in your updates! Let’s cheer each other on! 

Still not sure what that means? Here’s a sample tweet that may or may not be based on life experience:

Despite the 16mo strewing toilet paper all through the house w/ his sister cheering, I logged 1K today for #30K4JC

Share your writing goals, your word count, or your particular challenges. Encourage others, be encouraged, and laugh a bit.

Hey, doesn’t #30K4JC entitle me to an extra pot of coffee? No? Well. Guess I’d better get writing.

Have questions? Feel free to contact Sarah Reinhard, @peerybingle on Twitter.

What’s it all about? How Theme can help your story shine.

Theme comes in lots of shapes, sizes, and variations, but embodies the core of what something is about, whether it’s your brand as a writer, the story you’re writing, the characters you’re writing about – or the music you’re listening to while writing. So what is theme, and how can it help focus and clarify your purpose as an author?

Theme is the underlying idea that makes something tick. It is pervasive and affects everything about the whole, without being overt or overbearing. In fact, the best practical expression of theme in writing rarely shows up as words on paper. Rather, theme directs the words in order to come up with a finished product with specific meaning at a deeper level.

Let’s look at theme from the big picture to the more detailed aspects. First is your theme as a writer. Why do you write? What do you hope to accomplish – and how are you different from the thousands of other writers out there? If you’ve never written a mission statement for yourself, this is a great exercise. The answers to these questions can keep you focused and motivated. A bonus for taking a few minutes, hours, or weeks to analyze your purpose is that you may come up with a brand, a concise statement of why you are unique and what you have to offer your readers. If you’d like to take more time to contemplate your calling as a writer, Lent is a perfect time for reflection. Use it!

On to story. What are you writing about? Not the plot – what happens – but the deeper meaning? This is the place for clichés. Not in the writing, but in your mind. Clichés tend toward the universal, and that’s what you’re after here. Identify the most resonant concept underpinning your story. Love conquers all… People and relationships are more important than one-upping the Joneses… Revenge, or mercy? Man against nature/beast (human or otherwise)/impossible odds, etc. Once you nail it down, make sure that the theme drives every scene in the story. Don’t beat the reader over the head with it—theme is best conveyed through subtlety—but your awareness will influence the words as they pour forth. Theme will provide conflict and growth throughout the book, even if each scene doesn’t have an overt thematic question.

One caveat about theme (a very large one), as it relates to story: Do not use theme to further your agenda. Readers will pick up on it and put your book down. Let the characters struggle with the issues in a natural, organic way; don’t have them act out a morality tale. Ellen Gable Hrkach alludes to this aspect of theme in her post on Feb. 13, 2012, Improve the Odds for Self-Publishing Success. Her first book, Emily’s Hope, enjoyed modest sales to a narrow audience. Please note, there is nothing wrong with this; if your mission is to be the voice for an issue, or you write without regard to readership or sales, that is your prerogative. Ellen stated, in writing that particular book, if her words touched one person, she would have achieved her goal. She clearly succeeded. But Ellen then wished to engage a larger audience. What did she do? She chose to widen the scope of theme in subsequent books – which are selling more briskly. So the idea of theme circles back to one’s theme as writer, which will inform your choices of theme in specific works.

Which leads us to the third level of theme. Characters. Each character should have a core belief or value that can be summed up in a short phrase. Duty first… Me first… Life is an adventure! Life is dangerous… Again, clichés rule here. What is most important to each individual character, i.e., what will they fight to the death for? The flip side is critical, too. What conflict will the character walk away from, and why? Once you understand your characters, keep that core belief in mind as you write. Your characters will stay true to themselves and their motivations, making for a book that readers will remember long after they’ve finished it. A bonus at this level: Your character’s theme is always a two-edged sword. Use it. Create conflict with it – and then find a way for the character to grow. By the end of the book, their theme may have changed; at the very least, they will live it in a deeper manner, and the reader will love them (and you) for it.

Do you consciously use theme in your writing? If so, how? Or, as you look back on your work, can you see theme at any of the three levels we’ve examined?

Rejection: A thorn by any other name still stings…

Ouch.

I don’t care who you are, rejection hurts. But as writers, we all experience it, so it behooves us to learn to deal with it.

It’s tempting to pitch a fit, sulk, or even threaten to quit writing altogether. But when we take a look at these responses, it’s clear they are self-sabotaging…and ultimately ego driven.

This is what I’ve learned about rejection. It’s not about me. It’s about the needs of the publisher, or timing, or the quality of the writing – but it’s never about me, the author (unless I’ve made such an @$$ of myself that no one wants to work with me, no matter how brilliantly I write. But you’re too professional for that!)

Some factors that lead to rejection are out of our control. If a publisher just signed a contract for a story involving a blind golfer, and my story is about a blind golfer, it’s unlikely they’ll buy mine, even if it’s more brilliantly written. Or the editor hates stories about blind golfers. Or the editor just got sued by a blind golfer. Or… Well, you get the idea. None of these are within our control, so we cannot take the rejection personally, even when it’s unlikely we’ll ever find out the underlying why.

The other two reasons are within our control. Maybe I’ve pitched my epic poem about a blind golfer to a house that doesn’t publish poetry. Do your homework. Use Writer’s Digest or other resources to see what a specific publisher is looking for. Read your target publisher, then tweak your work to fit their needs and style.

Finally, maybe the quality of the work is an issue. (Ouch, again!) I look back on my initial submissions and cringe at the amateurish mistakes I made. Yet, at the time, I thought my work was brilliant! We all need to continually work on improving our craft, no matter our level of experience. Read books on craft. Check your local library. Take online classes, get involved in the CWG forums, the CWG online conference, or a writing group. Volunteer to judge contests. (That’s a real eye-opener, a glimpse into an editor’s life.) Find or create a critique group; it’s much easier to see someone else’s blunders, and eventually you’ll learn to recognize and fix those weaknesses in your own work.

If you’ve done all those things and still get rejected, what next? Bounce back. Is there is a lesson in a particular rejection? Learn it. Don’t give up. Keep writing. Keep submitting – but don’t beat a dead horse. If a project doesn’t sell, either re-work it or move on. Keep a positive attitude. Thomas Edison invented the light bulb on his 1000th try. He did not view the first 999 attempts as failures, rather as the 999 ways to not make a light bulb. Each step was necessary for his eventual success. Each rejection we receive brings us one step closer to our success.

What are your favorite ways to deal with rejection? How do you turn rejection into a positive element in your writing life?