From the President’s Desk – Failure Leads to Success

iStock_000017739645XSmall“Has it ever occurred to you that a life without failure is a dead life? Because you learn by failing. If you don’t try things, you’ll never learn anything. You’ll never accomplish anything.” Catherine Doherty, Foundress of Madonna House

Thomas Edison tried and failed on hundreds of attempts to create an electric light. Without failing, he would never have succeeded.

When it comes to writing, failure is necessary to succeed. I took writing courses in college, and I was a court reporter for many years, but I had no experience writing fiction, aside from the creative writing exercises in college. It should come as no surprise that when I first started writing fiction 14 years ago, I had no idea what I was doing. I just sat down and wrote. I remember thinking, This isn’t so hard. When I asked my husband to read part of my work in progress, he said, rather bluntly, “You’re not going to let anyone read this, are you?” I was crushed and felt like a failure but, in retrospect, my husband was absolutely right. That first attempt was terrible. So I trashed that manuscript, bought a few books on writing fiction, outlined the story, wrote character studies, then waited until summer so I could have uninterrupted writing time (I was homeschooling my five boys at the time). I went to adoration on the days I was writing and took my time drafting the novel.

Four months later, I shared it with my spiritual director and a few close friends. They gave me some helpful feedback. Later, I hired an editor (thinking she was a copy-editor, but she was actually a developmental editor). She eventually offered me a nine-page critique: half a paragraph on what was good with the manuscript and eight and three-quarters pages on what was in desperate need of improvement. There was an edge to her tone and by the time I reached the end of the nine-page critique, I was in tears. I was convinced that I was a failure at writing novels.

My husband, seeing how upset I was, suggested that I put the critique away for a few days. Then he recommended that when the initial shock wore off, I should go back and try to humbly discern if there was any merit in the editor’s suggested changes. When I eventually stepped back and considered all the changes, I ended up agreeing with most of her suggested edits. It took another year, but when I finished implementing the changes and sent it back to the same editor, she praised the manuscript and my edits and encouraged me to keep writing.

I learned a lot from that first experience with an editor. I learned that I need to be humble in accepting criticism. I learned that I need to have a thick skin when someone criticizes my writing. I learned that I will not agree with every piece of criticism. I learned that the editor is not paid to make me feel good, she is being paid to make my manuscript better. Although I initially felt like a failure, these are things I never would have learned without “failing” in the first several attempts at writing fiction.

A few months after that first book was published, the acquisitions editor of a Catholic publishing company read it. I received an email from her asking if I’d like to have a critique of the book. “Sure,” I said, confident that she wouldn’t have much to say, given all the feedback I had from a professional editor and friends. Instead, she shared with me that the book suffered greatly from “telling and not showing.” She advised me to write future manuscripts like they were a play and describe everything that was happening rather than telling the reader. Rather than “He was sad,” say, “His shoulders slumped and his eyes stared at the ground.” She gave me a few other pointers, then encouraged me to keep writing Catholic fiction.

Again, I felt like a failure. However, after humbling stepping back and reading the critique from this editor, I realized that she was right and I began changing the way I wrote.

My next book went on to win the Gold medal in the 2010 IPPY Awards for Religious Fiction, the first Catholic novel to win this award. All of my novels have been on bestsellers lists (Stealing Jenny, my third novel, was #1 in its category for 180 days of 2012). My newest book, A Subtle Grace, has been in the top 30 of Christian Historical Fiction and Christian Historical Romance for over a month and was in the top ten of six categories for two weeks. As of today’s date, the combined downloads of all my novels have just topped 585,000. Many look at those numbers and see “success.” However, without the previous “failures,” I would never have seen this “success.” And I am now also a busy fiction developmental editor and book coach.

For those of you who are still working on novels or non-fiction books, don’t give up! Don’t be afraid to “fail.” Failure can certainly lead to success.

One way to increase your chances of success is to become more active in the Guild (there are many resources within CWG), get to know your fellow CWG members and/or volunteer with the Guild. We could use volunteers for two committees: The Catholic Arts and Letter (CALA) Committee and the Membership Committee are in need of volunteers. If you’re interested, please contact me: president(at)catholicwritersguild(dot)(com).

We have new chairpersons for the CWG Blog: Kathryn Cunningham and Dennis McGeehan. Thank you, Kathryn and Dennis, for stepping forward! Special thanks to Jen Fitz, who was blog chairperson for many years!

Catholic Writers Conference Live: Registration is open for the Catholic Writers Conference Live, to be held July 22-24 in Somerset, NJ. Please consider joining us. There’s much to be learned from our varied speakers. And you will probably enjoy networking and fellowship with other Catholic writers, along with Daily Mass, Rosary and Confession.

Catholic Writers Retreat! Mark your calendars! CWG writing retreat coming soon! Prayer, reflection, writing, critique. What more could a Catholic want in a writing retreat? Oct 25-29 in DeWitt, MI.

As always, if you have any comments, questions or concerns, feel free to email me: president (at) catholicwritersguild (dot) (com).

In Jesus and Mary,

Ellen Gable Hrkach
President, Catholic Writers Guild

(Image purchased from iStock)

10 Steps to Indie Publishing

Printing pressThese are the best of times for authors—and possibly the worst of times! The changes in the publishing industry over the past five years are nearly as significant as the advent of the internet. In fact, the two developments are intertwined and build on each other.

We all know traditional publishing has undergone tremendous upheaval. It’s still difficult to find an agent. Same goes for a publishing home, doubly so when entire houses fold or get bought out by another entity. Authors are taking to the waters of Amazon and related ponds by the droves, flooding the markets with their manuscripts.

What are some advantages to independently publishing your work? Total control is the one most often mentioned. You work directly with a cover artist to produce the best one for your story. You can replace it if you decide it’s not working. You can set your pricing, then change it at a moment’s notice if needed.

Total control is also the disadvantage to indie publishing. Marketing is incumbent upon you, no one else. Make no mistake: this is a big responsibility.

Given this environment, if you are interested but have yet to dip a toe into the pool, how do you go about what has become known as indie publishing?

1. Know your goals. Do you want to get something in print form for family and friends? Skip down to items 4 through 7 and ignore the rest. Do you want to reach readers who don’t personally know you? Start here and slog through every step listed.

2. Hone your craft. Write the best book possible, run it by critique groups and/or beta readers and/or enter it in contests to get unbiased feedback. Then hire an editor and revise. Yes, this will cost money. Yes, you must do it. Do not fall prey to the delusion that your book is the best one on the planet or the only one not in need of professional editing. It’s not. You can always make it better. Believe me, if your critique partners/beta readers/editors say it needs work, it does. Fix it. If you don’t, the whole world will be privy to the lashing you will get from Amazon and Goodreads reviewers. So make it the best possible book before you put it out there. At least no one will be able to say “poorly written/edited!”

3. Buy books on the process. Let’s Get Digital and Let’s Get Visible  by David Gaughran are great resources, they are cheap, and they are fairly up to date. He is a proponent of the Amazon-only model. If you are comfortable with reading advice by savvy romance writers, The Naked Truth About Self-Publishing by The Indie Voice is another great resource.  This group is a proponent of getting your work out to every venue possible; why limit yourself to one vendor? These three books come to less than $15 and lay an excellent foundation for understanding the nuts and bolts of self-publishing.

4. Explore publishing options. Amazon’s self-pub arms are KDP for ebooks, Create Space  or print on demand, and ACX for audio books. Ingram Spark is another option. Barnes & Noble, Apple, and Kobo have platforms for uploading books; I have not gotten that far and do not have information to share. I’m sure others can contribute to the conversation here!

5. Utilize the tutorials on each publishing site. They provide a wealth of information. My experience with customer service on each site has been exceptional. If your budget allows for additional services, pretty much anything you need is available .

6. Remember that nothing is set in stone. If you make a mistake, all you usually have to do is replace the file. For ebooks on KDP, the old one will still be available for sale until the new one goes live. With Create Space, the title will not be available during the changeover, typically twelve hours or so. That said, some mistakes require taking the book down and reissuing it. Call customer service if it looks like something you can’t address on your own.

7. Mistakes: You will make them. The earth will not stop rotating. You will fix them. A week later, you will probably have forgotten the details. Moral: Be nice to yourself when you demonstrate your humanity. Even better, laugh!

8. Connect with your writing community. Ask for help, share insights, cheer each other on, and promote each other’s work. There are enough readers out there for all books. Amazon gave a presentation at a conference I attended recently. Their statistics show a dramatic rise in books sold since the ebook became widely available. More titles, more sales. Readers are voracious. There is enough success to go around; it’s not a finite quantity.

9. Adapt. There is no right way or wrong way to do this. The only given is the quality of the product you put out. Beyond that, much of the process for individual books is trial and error. Try something and see if it works. If not, try something else. Be persistent. Realize that marketing is part of the authorial journey these days, whether you are traditionally or independently published.

10. Remember this is a business for the long haul. It may take years to build a following. Meanwhile, keep improving your craft and writing new content. That is the one action you can take to improve visibility of your books, and visibility translates to sales. Continue to interact with readers, either online or in person, so they remember you and look for your books as you write them.

Questions? Discussion? How about suggestions of books or other resources you’ve found? Please share!

Catholic Writers Conference, July 29-August 1, 2014

EWTN Bookmark interviews at the CWG Booth

EWTN Bookmark interviews at the CWG Booth

Headed for Catholic Writers Conference next week? Are you excited? You should be! Take a look at this photo to get a sense of the energy and opportunities that await! What an opportunity to rub shoulders with industry professionals, to put names and personalities to folks you’ve met online, to renew friendships, and to network. This is a once in a lifetime experience; make the most of it. There will never be another gathering of exactly the same people at this point in their faith and writing journeys. Truly you are in Chicago, Illinois, because God has called you to be there!

Each of you has a specific reason for attending, a goal you hope to accomplish. If this is your first conference experience, the coming days are likely to be a roller coaster of euphoria juxtaposed with self doubt. Be assured that you are not the only one grappling with these feelings. I hope this knowledge translates into a greater sense of ease in a new and sometimes intimidating environment. Here are some words of advice (of wisdom, too, hopefully!) for both newbies and veterans, for authors, for agents, and for editors, geared toward making this conference the best it can be for everyone:

1) Everyone’s goals are the same, ultimately. Editors want to find the next diamond of a manuscript to publish. Agents want to discover the next author whose career they can guide to new heights. Authors want to find a publisher and/or agent to promote their awesome work. And in this particular setting, all of these people want to serve God with their talents and gifts in the way that pleases Him the most.

When viewed through that prism, competition loses the edge of greed and rejection loses its sting. We’re all on the same side, and God’s looking out for the good of each person’s life and career. This doesn’t mean you should fail to promote your product, just that there is no need for fear. Which brings us to the next point.

2) Be confident. You have something no one else does: your voice, and your work. These are gifts that God has given you, gifts that you have honed with hard work and prayer. No one can duplicate your contribution. Take heart in that fact, and know that your work will find its home. Maybe through this conference; maybe not – which leads to…

3) Don’t take rejection personally. Sometimes it just isn’t a good fit for the publisher or agent. Imagine a library with thousands of books. You have three days to find the best two. You will have to create a system to sort and discard the ones that aren’t suitable for your purpose. Do you see that many wonderful, deserving books will be overlooked? This does not reflect on the worthiness of each one, the same way it does not reflect on your particular project. And in today’s climate, many options are available. So…

4) Be open. There are many possibilities that we may not recognize in our limited, human view. Be open to new ideas, new directions, new options. You may discover a brand new path, or even a calling! You may discover it through…

5) Networking. This is the whole purpose of a conference. Meet people! Ask them what they write, who they want to represent, what they want to publish. Have a brief answer ready when others ask you these questions. (I write ____ and my current project is about ____.)

This is a remarkably small community, and the contacts you make in the next few days will serve you for your entire career. Do not discount the importance of these interactions. They are crucial for your success. But remember…

6) Be nice. This should go without saying, especially in this setting, but we are human and sometimes we need to be reminded. Keep your comments positive; you never know who might overhear or repeat something you said in a frustrated or disappointed moment. Again, this is a remarkably small community even though it may not seem that way.

Also, restrict your interactions to appropriate venues. Don’t try to pitch to an agent or publisher in the restroom, or shove your manuscript under the door of the stall. I have seen the first and have heard of the second, so these are not as far-fetched as they seem. Be considerate of folks. If the target of your interest has a headache or gets a pained look on their face when you approach, be brief. Introduce yourself and say you’d like to send them a query if that is acceptable; believe me, they will remember and appreciate your kindness. And that goes a long way. Which leads to the last point…

7) Be yourself. This may call for leaving your comfort zone, though. If you tend to be shy (many writers are!) push yourself to be more sociable. It’s not hard; smile and ask people around you about themselves. You’ll be glad you did. If you are an extrovert, recognize your tendency to overshadow the more timid among us and let them shine, too.

8) Use social media to keep the non-conference-goers among us updated! There’s the CWG Facebook page and your personal Facebook/Twitter, etc. accounts. The ripple effect can be unlimited. Share the love!

I hope each one of you has a wonderful experience at the Catholic Writers Conference! And… Oops! I forgot the most important words of advice! HAVE FUN!

Cheerleading! Mutually Beneficial Author Support

Cheerleaders Doing Routine --- Image by © Royalty-Free/CorbisThere are a lot of us out there. Authors. With great books to share. Too often, though, we feel alone in our endeavors, trying to get readers to notice us in the roiling sea of other great books. This is a great time to be a writer! It’s more possible than it has ever been to publish a book. But that means that all sorts of other people are doing the same.

Whether you are independently publishing your work, under contract with a traditional publisher, or working with a small, online press, the business of marketing one’s work falls more and more upon the shoulders of the author. “But I just want to write,” you say. Hey, I’m with you. Me, too. But that’s  not our reality anymore.

How do we get “out there” where someone might notice?

First, write a quality book, no matter the genre. If you’re publishing independently, surround yourself with an expert team of editors, formatters, and cover artists. First impressions matter. Don’t give the reader a reason to skip past your book; give them a reason to stop and look at it, really look at it. Hopefully, they’ll be intrigued enough to click the ‘buy’ button.

Then, the meat of this post: Network. Before you ask people to spread the news about your book, make sure you’ve nurtured relationships with them, and have crowed about their successes. You can do this well before you are ready to publish your own work; in fact, that’s the best time to create these relationships. Have you gone to Catholic Writers Conference Live? Or participated in the online CWG conference? How about the Writing Retreat? Or any other writing focused activities? What about the CWG Facebook page? Have you interacted with other writers in any of those venues? I hope so, because that’s crucial for the next step, which is:

Celebrate with them! Post their new releases or awards on your Facebook page. Use your blog or Twitter to let your followers know there’s something available that’s worth their time. If you’re on Twitter, find and follow some entities that reflect your interests; they may reTweet for you and expand your reach.

Buy and read your friends’ books, and then review them on Amazon and Goodreads. *Caveat: Always say something nice, or don’t post a review. This does not mean you can’t be honest, but be honest in a kind manner. Personally, I never give a review with less than four stars, and even if I didn’t like everything about the book, I focus on what I loved about the book—or, if it’s in a genre that’s not  my favorite, focus on what readers of that specific type of book will enjoy about this particular one.

Here’s an example of how this might work. A few weeks ago, Erin McCole Cupp contacted me because I’d done a cover reveal on my upcoming release, Hijacked, on CWG’s Facebook page. Would I like to trade read and reviews with her? She’d recently published Don’t You Forget About Me, a cozy mystery. I said yes, and posted reviews on Amazon and Goodreads. She upped the ante and asked me to be an interviewee on her blog the week my book comes out. I said yes (!), and then tagged  her on a My Writing Process blog tour/relay. With any luck, some of my readers will be interested in her work and some of hers readers, in mine. That’s just with two authors! Imagine what can happen when more get in on the fun!

(And did you notice what I just did? I linked Erin’s website and the Amazon link to buy her book to this post. I purposely do this for everyone I mention on both my CWG and personal blogs. What goes around comes around…)

Join writing organizations and establish relationships with authors you respect. Be a cheerleader for them, and hope they’ll return the favor when it’s your turn. Yes, it’s time consuming, but it is well worth the effort—not just because they’re going to help you sell books, but because they are wonderful people and their friendships enrich your life.

Are you feeling a little less alone now? I hope so! If you’ve had success in the arena of networking, please share your story! What are the elements that contribute to that success?

 

The End: Sweet Words for an Author, Sweet Experience for a Reader

The EndThe end.

Two of the most satisfying words a writer can tap onto a keyboard.

We’ve all dreamed of typing those six letters, and many of us have been fortunate enough to have achieved that particular success.

In my past few posts, we’ve discussed beginnings and middles. Let’s talk about endings today.

How do you craft an ending that works? You know what I mean: the ending that satisfies in a way that nothing else can. The good guys win, the couple (finally!) gets together for their happy ever after, the world is saved from certain disaster.

Yet I suspect many of us know when an ending doesn’t work. Have you ever read a book where the story had you in its grip—and then it fell flat and limped to the last page? I have. It feels like the author suddenly lost interest. Perhaps they were on a deadline and just typed a bunch of words to fulfill a contract. Or maybe they really didn’t know how the book ended, so they just threw some words on the page and hoped they would do. And that the reader wouldn’t notice.

Alternatively, I’ve read books where The End happened ten or fifteen pages before the printed pages did. It’s disconcerting to be engaged in the story, come across that emotionally satisfying ahhh that is the indisputable end…but then things keep happening and the characters keep talking, and as a reader, you’ve lost interest.

To avoid a bad ending, go back to the beginning. Is your theme still clear? Will the ending make that theme shine (even though it’s likely not stated outright)? What is the question posed at the beginning of the book? There may be an overall question, along with individual questions for each of the main characters. Are those questions answered in the last chapter?  What about the middle? Does all that suspense and tension you’ve nurtured through the book come to a climax that is addressed in the final scene(s)? If you’ve been paying attention to these elements of craft, you’ve set yourself up for a good, satisfying end.

Pacing is another issue. Keep the tension strong; don’t dilute it with throwaway words or scenes. When the end is reached, end the story; don’t belabor it.

Make sure all loose ends are tied up. This is a great task for critique partners and/or beta readers. Whatever did happen to Uncle Bert after everyone else hared off after the bad guys and left him chained to the gushing water pipe in the basement? Or Sally rescued the lost kitten in chapter two, but the kitten was never mentioned again. What happened to it??? You can bet your readers will ask these questions!

Whatever you do, please, please avoid the temptation to use a plot ploy at the end. No hand of God reaching down to set all aright, or aliens/knights in shining armor/Navy Seals (that haven’t been part of the book until now) suddenly appearing out of nowhere to solve all the problems. Or a minor character who inexplicably becomes the linchpin upon which the premise of the entire book now rests. I have read books that ended this way, and they were disappointing, to say the least. Keep your characters true to their motivations and your plot logical. That makes for authenticity, and happy readers.

The ending should have a twist that no one saw coming. No one likes to read clichés, whether within the book or at the end. Do your best to give the reader a wonderful surprise, one that delights or challenges. Don’t be afraid to brainstorm different endings; too often we pick the first idea that pops into our head. The best idea may be the fifth or eighth. Have fun with this. Readers will enjoy the result.

What about epilogues? They seem to be more effective and better received than prologues. An epilogue can be a wonderful way to tie up remaining loose ends (especially in an action-packed story). It can even set the scene for the next book, if you are writing a series. But keep it short. No more than two pages. Make it count; otherwise, it’s best to leave it out.

You want your readers to be satisfied so they will write nice reviews on Amazon and Goodreads. You want them to tell their friends about the great book they just finished. You also want them to like the end so much they’ll come back for your next book. And the next one.

So give them an ending that carries an emotional punch, the one they hope for. Your reader has invested money and, more important, their time. Make it worthwhile.

What have you learned about writing endings? Any tips to share? I’d love to hear them!

Books, and Toned Middles

belly dancers for CWG croppedLast month, I talked about beginnings and how important they are to drawing the reader in to your book. It seems appropriate to continue on to story middles today.

Middles ought to be pretty simple. After all, it’s the stuff that happens between the beginning and the end. Many authors, however, struggle with middles. There’s a term for middles that lose their direction and energy: the dreaded Sagging Middle.

How do we keep our middles on task, doing the unsung but necessary work of getting the reader to the end of the story? How do we keep the energy high? Most important, how do we keep the reader engaged?

It’s best to step back and look at the big picture first. What is the underlying theme of your story? Is it clear and evident in every scene, though it’s likely never stated outright? Theme should be the basis for every action that takes place, every decision a character makes, and even descriptions of setting. Every word you use can and should further the development of the theme you’ve chosen. For more on THEME, click here.

Next, what about story structure? If you’ve built even a rudimentary five-sentence outline of turning points for a particular story, it is much easier to keep the individual scenes pointed in the right direction. No ambling about aimlessly in the rose garden and boring the readers—unless, of course, the rose garden is critical to both the theme and structure of this story! In that case, amble all you want, as long as there is purpose. For more on STRUCTURE, click here.

Now we get down to the nitty-gritty. Each scene in a story must have tension. This is sometimes referred to as conflict, and always results in suspense. Suspense isn’t defined as horror movie scary stuff; it’s simply a reader asking the question “What happens next” and turning the page to find out.

This is the key to toning up the middle of your book: Every scene and each chapter must have higher and higher stakes for the main characters. Each character has more to lose as the story progresses, and each character is forced into increasingly difficult choices. As situations evolve, and as the characters slog their way through their troubles, they reveal their increasingly deeper secrets to the reader. The characters struggle, and they grow. The reader identifies in some way, roots for them, and is willing to be swept along. For more on ROOTING FACTORS, click here.

One caution: Watch for filler, and ruthlessly cut it. It’s easy to rationalize that since this is the middle of the book, the reader is already caught up in it and won’t put it down, so you don’t have to work quite as hard, and nobody will notice that this whole scene/chapter doesn’t really advance the story; it’s just there because you, the author, like it. Nope. Readers are smart. Cut the scene if it doesn’t advance the story. Cut the details if they don’t advance the story. I know. It’s hard. If it’s too hard, create a file for deleted scenes and put the cuts there so they’re accessible if you want them later. I find that’s sometimes a necessary intermediate step, even though those end up fully deleted later. Human nature is pretty funny!

Once you approach the end of the book (or even at the end of chapters!), resist the urge to tie up loose ends too soon. I admit to that failing as a new author. My first attempts at chapters all had tidy endings. Wrong, wrong, wrong! Every chapter should end with an unanswered question. Analyze your favorite I-couldn’t-put-it-down book. What created that quality? I’m willing to bet it was ever more crucial unanswered questions, and lots of loose ends. For more on TENSION, click here, and for more on HOOKS, click here.

What tips do you have to share regarding middles? I’d love to hear a new take on the subject!

In the Beginning…

"The Beginning" Road Sign with dramatic blue sky and clouds.The most important part of your novel, short story, or even nonfiction piece is the beginning.

What compels the reader to keep reading? How do you craft a beginning that doesn’t bog down, one that keeps the reader engaged?

There are several schools of thought regarding beginnings. Depending on the genre, the beginning can create a normal world (think of the movies Star Wars or The Wizard of Oz), and let the reader get to know the characters in their natural habitat. Women’s fiction and literary fiction tend to follow this style. Caution: Choose the details of the everyday life carefully, to the point of foreshadowing what’s going to come nextnamely conflict. What’s at stake for the main character? In Star Wars, Han Solo saw his family facing the loss of their way of life, and peace. Dorothy, in The Wizard of Oz, engaged in a life or death battle to keep Toto.

What we tend to remember in these stories is the outrageous intergalactic characters and battle scenes of Star Wars or the Technicolor adventures on the way to Oz. Yet when one analyzes the story structure, the “black and white” ordinary life is where the story begins—and presages the main conflict in a way that amplifies the conflict when it arrives.

A different way to begin a story, common especially in suspenses, is in media res, which throws the reader into the deep end of the swimming pool along with the main character. Picture a book beginning with a young woman being snatched from a sidewalk and shoved into a van. The van speeds off—and of course the reader is going to turn the page to find out who, why, where, and what happens next??? This technique can be very effective. The author gives concise clues to setting (city or suburb, day or night, good neighborhood vs bad, etc.), characterization (she fights back or is paralyzed with fear, the snatcher and snatchee know each other and have shared history, etc.), and motivation (kidnapping vs bodyguards collecting an errant charge vs fraternity joke, etc.) without much else in the way of detail to ground the reader. It’s not for every story, though; imagine Dorothy opening the door of the house after setting down in Oz, with the story beginning in Technicolor. The event would lose much of its impact, and the subsequent conflict would lose its sizzle.

One of the most common mistakes new writers make is starting the story in the wrong place. My advice is to write it the way that makes sense to you, then come back when you’ve finished the whole thing and re-read the beginning. Chances are you’ll hit a certain paragraph where everything springs to life. That’s where your story really begins. One common suggestion is to dump the first chapter and start with the second. Personal experience: I had to dump the first three chapters of my first novel—they were that boring, even to me! But I had to write them in order to discover where the story really began. You may have to cut words, but they are never wasted; you always learn something important about your characters, even if it doesn’t end up as words in the book. 

Another common mistake is to explain the characters and back story (what happened before the book started). This is called an information dump. Resist. Draw your characters clearly through their internal and present thoughts; let the reader get to know them deeply, layer by layer. What brought them to this point will be revealed in good time. Another wise bit of advice I’ve come across is to get about thirty pages into a story before disclosing back story.

Dialogue is a great way to tell a story, and the beginning is no exception. If you can incorporate dialogue at that point, do so, and make it unforgettable.

For a fun exercise, go to the library or a bookstore, or even your own shelf of well-worn favorites. Open to the first page and read the first line. Is it compelling? Intriguing? Why did you want to read more? How much information about the character, setting, motivations and tone did the author convey in those few words?

When it comes down to it, the story begins when there is a change in the main character’s life. The change can be subtle or cataclysmic, but that is the point at which you, as author, commence weaving a tale that will hold readers in thrall until the words The End.

How do you know where your book begins? Do you have a strategy for determining what the opening scene is, or who inhabits it? Please share!

 

 

Twelve Ways to Make a Catholic Writer Have to Go to Confession

Editor’s note: A little humor for your stocking from Karina . . . Merry Christmas!  And may your 12 Days be blessed with kindness, encouragement, and joy!

1.  Assume that because we’re Catholic, and you know, charitable and stuff, we’ll give you a copy of our book free—and maybe one for your sister the Sister.

2.  Assume that every time any of our characters says something about religion in any of our books, that we’re speaking ex cathedra.  After all, our alien werewolf pirate would of course be representing the Magesterium.

3.  Assume everything we write is about pushing the Catholic faith, because Catholic writers can’t write stories for entertainment or they’ll be excommunicated, for sure!

4.  Judge our books by how they meet Catholic doctrine…or your version of it.  Dragons as heroes?  Good heavens!  Revelation—duh!  Magic?  Haven’t you read (pick an apologist’s) treatise on Harry Potter?

5.  Act shocked when our Catholic characters aren’t all perfect non-sinning, Mass loving, saints in the making.  Bonus if you accuse author of hurting the church if their villain happens to be Catholic, too.

6.  Ask if our novel has in Imprimatur.

7.  Wonder aloud why we didn’t sell our book to Ignatius (Pauline, etc.).  Bonus if you say “couldn’t” instead of “didn’t.”

8.  Dismiss our book before you’ve heard about it because “I’m not really into faith reading.”

9.  If our book really is Catholic-centered, wonder why we’d want to limit our audience.  If our book is more general/secular, wonder why we’d want to sell it to a Catholic audience.

10.  Assume that since we are Catholics and we do write books, that we are automatically apologists, too.  Bonus if you then monopolize us at a signing or convention to argue Catholic teachings or share stories that have nothing to do with our book.

11.  A Catholic twist on a favorite author peeve:  “I have the best conversion story!  You write it and get it published, and we can split the profits!”

12. Tell us how much more salable our book would be if we hadn’t included the Catholic elements.

 

Giving Thanks

give-thanksLast month, I attended CWG’s Your Word is My Delight: A Catholic Writers’ Retreat in Dewitt, Michigan. As is so often the case, it took me a few days post-retreat to recognize the gifts poured out by the Holy Spirit through the event.

Opportunities to pray abounded. Daily Rosary, daily Mass, Adoration most evenings…and those were just the formally scheduled times. Reflection in the privacy of one’s room or walking the beautiful grounds offered occasions for informal prayer. Several of us shared that the main focus of our attendance was discernment regarding our calling and future direction. No matter the answer(s) each individual heard, the time spent in the company of God brought peace.

The intimacy of the gathering allowed us to get to know each other in ways that are not possible through conferences. For me, recognizing the holiness in each person’s vocation, whether religious or as laity, was a true gift. Faith, fidelity, devotion, patience, joy—these attributes were modeled by various people throughout the five days. Our small community built each other up, just as Paul instructs us to do in the Epistles. Not limited to retreats, a mindset willing to see these things in our ordinary lives can open our eyes to God’s hand in the day-to-day.CWG Writers' Retreat Oct 2013 cropped

Networking, both professional and personal, was another gift. Blogs were born, ideas (writing and non-writing related) shared, horizons broadened, new directions and new projects envisioned, contacts swapped. I’d had an idea for a book-length nonfiction project, and, thanks to a presenter, realized I could create it in any number of formats, from brochure to booklet to book. Others took a step into fiction from their background of nonfiction, etc. Sometimes it takes another’s perspective to see possibilities we never imagined. As a bonus, we left the retreat with a strong network of writers in vastly different geographic areas and personal/professional circles of influence. Now, when one of us tosses the proverbial pebble into a pond, the ripple effects will go into coves we never could have predicted.

The subject of New Evangelization came up numerous times in unrelated contexts. New Evangelization is reaching out in love and catechesis to those Catholics who’ve drifted away from the Church, or who’ve made a conscious decision to leave the Church, or don’t have a solid understanding of its teachings—namely, a lively relationship with and fruitful gratitude to Jesus, our Savior. I certainly came away with a better understanding of the scope of the issue, along with a renewed sense of purpose as a writer and evangelizer.

As Michelle Buckman, the keynote presenter, said, God is in the details. He brought each of us to Dewitt, Michigan for a purpose—actually, several purposes. From personal to spiritual to the craft of writing to the purpose of our calling to networking, the Holy Spirit was hard at work at the St. Francis Retreat Center.

Look back at your most recent experience with a conference or a retreat, or maybe in a CWG forum or the new Google group or Facebook group page. Take a moment to recognize the Holy Spirit’s influence, and give thanks. It is far too easy to take these things for granted, or downplay them. Next time you have the opportunity to participate in a writing community, pay attention to what God is showing you. If you’re like me, it won’t be anything like you expected, and may not even be writing-related. It may be difficult to recognize or discern while in the moment, but at some point you will recognize the truth of why you were in that place, at that time, with those people.

God’s hand, open hearts—a combination that bears great fruit, whether on retreat or slogging through our daily lives. Together, they yield blessings, grace, and much cause for gratitude.

Thanksgiving is two days away. What are you offering thanks for this year? Do you have any examples of blessings or gifts related to writing you’d like to share? Let’s encourage each other in our vocation as writers.

NaNoWriMo Approacheth!

Writing on a deadlineWhat is NaNoWriMo? For the uninitiated, this acronym is short for National Novel Writing Month, and it has taken place every November since its inception in 1999. The idea is to crank out 50,000 words between November 1 and November 30—which works out to be 1667 words per day. Every day. On a novel, specifically a new novel.

Why would any sane person take part in such a venture? (I have asked myself that very question, usually at five in the morning as I rub the sleep out of my eyes and stare at the glowing computer screen…)

First and foremost, it’s FUN! Really! Put that infernal internal editor on the back burner and let your creative side take over! When you write that fast and that consistently, you don’t have time to agonize over word choices or plot points. True, a lot of what you might write is drivel, but I can guarantee you that there will be a wealth of gold and gems in what you produce. (More than you think.) The best part is that you actually end up with words that can be edited—as opposed to a blank computer screen with a blinking cursor and anxiety because you haven’t produced anything.  :-/

Writing is a solitary activity; therefore, perhaps the most important element of NaNo is community. There are lots of forums on the site itself, and many groups, such as CWG, create their own small communities for the month. There’s a move afoot on the CWG Yahoo group and the Facebook group to get one going. (CWG members, contact Ann Lewis or Karina Fabian if you haven’t been invited to these groups yet.)

Even more fun, many regional groups have sprung up and organize “write-ins.” Can you imagine how much fun is it to go to a sponsoring coffee shop and be part of twenty or fifty folks tapping away at their computers on a blustery November evening?!! There are kick-off parties before NaNo begins, and celebration parties after it ends. If you follow the official rules and win, you get a cool NaNo icon to put on your website. And you get a “participant” icon just for making the effort.

One of the byproducts of the discipline of NaNo is confidence. You discover it is possible to crank out lots of words—and you discover that your creative side wants to come out and play. Like any talent, the more you use and hone it, the stronger it becomes. Lauren Sapala has written a great blog on the benefits of NaNoWriMo.

Think about it. This time next month, you could be nearing the middle or end of your novel! I will admit that I’ve never completed the 50k goal—but I’ve hit more than 20k. Without the challenge, I would have written maybe 5k words for the month. Whether you “win” or not, it’s worth a try.

Will you? If you’ve never tried it before, why not? Do you think you might try this year? If you’ve done NaNo before, share your experience—the good, the bad, and the ugly!