Blake Snyder – Catholic Writers Guild

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On writing…better!

September 24, 2013/12 Comments/in Catholic Writing and Publishing, Editing, Encouragement for Writers, Fiction, Marketing Your Work, The Writing Life, Writing Tips and Tricks/by Leslie Lynch

What do you view as the most important element of your writing, or your writing life?

Passion? Yes, we all need that, especially when faced with rejection or obstacles in our quest for publication. But if passion were the most critical element in the making of a successful author, the bookstores would be overflowing with our works.

Persistence is certainly another closely related trait shared by successful authors. Again, though, while essential to success, it’s only part of the story.

Time (and balance) questions are often posed to well-known authors in Q & A sessions. It’s a challenge for everyone: how to juggle family/work/writing. That one has no pat answer. Each person has to find what works, and once a routine is established, be flexible enough to accommodate changing circumstances.

How about subject matter and finding a matching audience? Yep. Crucial. Have you written something that someone wants to read? How are they going to discover it? If you have a good handle on these basics, you’re a step ahead of many writers.

Let’s say you have all these ingredients. You’ve got a story (or a topic, for nonfiction writers), a passion for telling it, you are persistent, and you have a good sense of your target audience. You’ve created a workable plan that supports your creativity.

Anything missing?

I would humbly propose that commitment to development of one’s craft might actually top the list. If the final product is full of misspellings, inappropriate word choices, poor pacing, clichés, etc., no one is going to want to read it, no matter how awesome the premise.

Your goal is for readers to snap up your amazing work! And then clamor for more!

Development of craft can come through formal schooling (college coursework, or in-residence classes), informal schooling (online classes or workshops at conferences), or books. I’d like to share my favorite books on the craft of writing. Some of these have garnered mention in my contributions to the CWG blog over the past year or so, but I thought it would be helpful to list them together. I’d also love for you to jump in with your favorites.

Self-Editing for Fiction Writers, Browne & King. The first craft book I ever bought, its precepts remain timeless and valuable.
Plot & Structure, Bell. Great for learning, well, how to structure fiction.
Conflict & Suspense, Bell. How to keep your reader turning the pages. The ideas pertain to all fiction, not just suspense, and can be applied to nonfiction, as well.
Revision & Self-Editing, Bell. Just what it says. (*Note: The last three books are by James Scott Bell, and are published by Writers Digest, which offers an extensive list of books on the different aspects of craft. There are other books on these subjects by other authors and other publishers.)
Save the Cat!, Snyder. Intended for screenwriting, it is a great resource for learning story structure and for increasing the level of dialogue (a trend in modern fiction).
Writing the Breakout Novel, Maas. Everything about novels and how to balance the elements, written by a high-powered literary agent.
Break into Fiction, Buckham and Love. Perhaps more geared to the genre of romance, but more broadly applicable.
Writing a Romance Novel for Dummies, Wainger. A top editor with many years of experience, this peek at our work through her lens is invaluable. Again, the content can be more broadly applied.
Believable Characters, Creating with Enneagrams, Schnebly. A method for creating rich characters based on personality types.
Punctuation, Plain and Simple, Edgar C. Alward and Jean A. Alward.
Roget’s Thesaurus.
Any good dictionary.
Words That Make a Difference, Greenman.
The Elements of Style, Strunk and White.

Books by successful authors about writing on my shelves:

On Writing, Stephen King
How I Write, Janet Evanovich
Escaping into the Open, the Art of Writing True, Berg.

Believe it or not, this is not a complete list of my reference books. Some of the rest duplicate the content of the ones listed, or stray from a strictly-writing focus. Have I read all of these? You bet. In some cases, several times over. Have they helped me? Absolutely. Would they help writers of the submissions of a recent contest I judged? Yes, yes, and yes again.

What references do you keep at hand as you write? What books do you consider so essential that you’d buy a copy for your favorite protégé? Let’s see how many different books show up in this list! Thanks for contributing to a reference gem for our fellow authors!

RAH-RAH ROOTING FACTORS! How to make your readers love your characters as much as you do.

March 27, 2012/4 Comments/in Catholic Writing and Publishing, Editing, Fiction, Marketing Your Work, Writing Tips and Tricks/by Leslie Lynch

What’s one of the biggest reasons you keep reading when you pick up a new book? Think about it for a moment. For me, it’s characters who are interesting, multi-dimensional, unpredictable…and likeable. Yet this is an element many of us struggle to achieve. One of the most common phrases in rejection letters is “I just didn’t connect with the character(s).”

So, what does that mean to us, as fiction writers? It means we must draw our readers into the story with the very first sentences, and to get them invested in the characters well before the end of the first chapter, maybe by the end of the first page. This is a tall order—especially when we read our favorite authors and marvel at how easy they make it look.

I don’t know about you, but I can see my characters vividly in my mind’s eye, and am truly astonished when my critique partners don’t fall in love with the characters. Passionately! As an author, it is incumbent upon me to portray those characters with all the tools at my disposal. I’d like to share a technique that is simple, yet extremely effective.

Rooting factors. Yes, as in rah-rah, go hero/ine! These are characteristics that show your hero or heroine in an endearing light. Details that allow the reader to bond with them…to root for them. What you’re after is any trait that is positive, but especially universal ones like humanity, vulnerability, generosity, etc.

As Blake Snyder says in Save the Cat, an excellent resource on screenwriting, the opening scene is critical. We must give the reader a reason to like our hero or heroine, even if (or especially if) they have rough edges or have a lot of growing to do through the book. In Snyder’s example, the character swerves from his purpose (which can be dark or suspenseful or comic) in order to do a good deed…i.e., save the cat from certain calamity. This demonstrates our hero’s kind side, and when he goes on to shock or distress us with his struggles, we recognize that he is a good person who has been forced into an untenable situation. And we root for him!

This is what keeps readers turning the pages, this ‘liking’ the characters. Go to your favorite novel. Right now. Open it up and analyze the first chapter for characteristics that are likable (and therefore create a bond with the reader). Chances are, you’ll find a fairly long list.
Be careful to salt these rooting factors in carefully. They must be organic to the story and the writing. This should never be a laundry list. “The heroine was feisty, yet compassionate, and she was bluntly honest without being cruel, and her moral compass never wavered.” No. Work the rooting factors into the normal activities of the character’s world. Use dialogue and action to show why the character deserves the reader’s investment.

This is a particularly effective technique for characters who may not be all that likable at the beginning of the story, those who have a long way to go before they learn their life lesson or earn their reward. They have legitimate flaws. That’s what makes them interesting. But they also have some innate goodness that allows the potential of redemption. Here’s a secret regarding the villain: the most compelling villains have some good traits, too. After all, the worst part about villains is that we can see ourselves in them.

Here’s an example from my current work in progress. I have a potentially difficult task. My heroine has just been released from prison and is looking for a job. In the first sentence, she demonstrates a deep level of respect for her fellow man when she murmurs “Excuse me” to a pedestrian who bumps into her. And she does so without regard to the discomfort, even anxiety, the other person’s proximity causes her—which demonstrates her vulnerability and humanity. What’s not to like about our heroine, right off the bat? A page later, she picks up a plastic bag out of concern that small animals might get trapped in it. Her prison history, while central to the story, is not revealed until the end of the chapter. And by the time the reader gets there, hopefully s/he is so invested in the character that they are willing (and eager) to read further.

Here’s your homework assignment: Reread the first chapter of your current work. Can you ramp up rooting factors for your characters? See what you can do, and if it improves the work. It has mine, and it took me four years too long to figure out. I hope it’s not as long for you!

Tag Archive for: Blake Snyder

On writing…better!

RAH-RAH ROOTING FACTORS! How to make your readers love your characters as much as you do.

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